Vernon Frazer

Vernon Frazer’s latest poetry collection is Secret’s Exhibition. He recommends the Poetry Project at St. Mark's.

"The Crossing Line," "Road Tripped," and "Social Standing"

          knowing imposed
          ancient acquisitions
          on the momentary 

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"Team Worked," "The Man in Charge," and "Temptation Deadbeats"

at the last cultural hollow
the divorce of collision motive
from a left-wing counter vaunt 
handed the ambiguity gone
​to rupture fairway cactus

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"Impersonating the Jumpsuit Elvis," "Playing Connected," and "Language Calling"

for toxic willow pageants   
cascade merchants align
 
     cranking out
     their crude ultimatum

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"Shutdown Payday," "Darkening the Storm," and "Species After Dark"

libido badgers
dissemble their bleary hypotenuse
bangles 
​              in conversational storage

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Tooth Fairy on the Take

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"Policed Navidad," "Other Than," and "Three Sounds to Noise"

a lingering hostility
felt their screening
fingering to leather
 
                a scratching tone

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"Nickel-and-Diming the Paradigm," "Paying Forward on Credit," and "Seekers Up Against Finding"

the cornet heath 
pulled on its invective
in jumpsuits 
​                     a cadre aspirates 

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"One Star Too Hot," "They All Sing on, the Cornered" and "Tropical Storming"

receding arrears panic
when disruptions concealed
their lost awe
​                      to abdominal radar

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Cold Wave

"Cold Wave" by Vernon Frazer requires image support

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Food For(m) Thought

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"Fendered Bluster," "Mastering the Universe at Last," and "Khan Man After Xanadu"

                a creed
                in lurch mode 

                             lumping

          any lecher willing to come
          in for a pass

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Backing the Printed Sound

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video selections from "Definitions of Obscurity"

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Score # 1 for Synthesizing # 4

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"Media Messaging the Medium" and "Philatelic Finishing Act"

nature’s vacuum serpents
torment the horny bricolage ramping
before the umpire
                       cuts the torment fee

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