Jonathan Hayes

Jonathan Hayes is currently responsible for The Anthology of American Haiku co-edited with Richard Lopez and produced by Richard Hansen of Poems-for-All.

"American Haiku from the River and a Title Near the End," "UPTOWN : UNTITLED," and "The Four A.M. Shift"

Now I’m walking the levee
Amongst meth head zombies

When a raccoon reminds me
To keep my hand on my knife.

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Recent Articles:

"Bray," "Sac," and "Good Game" by Gale Acuff

excerpts from "Poet Resists: Alien Foreign and Domestic Policies" by Gerard Sarnat

"Arbitrage," "Shutter," and "Funerary Meaning" by Joel Chace

Gina’s Golden Hand by Bob Ritchie

Membership by John Grey

"Both" and "Simone" by Marguerite Guzman Bouvard

Hard Shots from Close Range by Randy Stark

Seven Photographs, September 2019 by Garrett DeBell

"from Simple to Sublime," "The / main reason / for their misfortune," and "Embedded with the sports team" by Mark Young

"Because the First Time I Was in New Orleans, I Died There," "Anger Song," and "In the Spirit of Negation" by C. Derick Varn

Your Average Muslim-American Family by Alia Hussain Vancrown

A Star to Guide Me by Simon Read

Megan Burns an Unlikely Salon

Four Photographs, August 2019 by KJ Hannah Greenberg

"Shipwreck," "Without Myself," and "I could remember my futures" by Kyle Trujillo

Vincent A. Cellucci with Zack Godshall an Unlikely Salon

Vincent A. Cellucci in New Orleans by Vincent A. Cellucci

Christopher Shipman in New Orleans by Christopher Shipman

Izzy Oneiric in New Orleans by Izzy Oneiric

Jonathan Penton in New Orleans by Jonathan Penton

Boy by Cole Noone

"First Shot of the Philippine-American War, Feb. 4, 1899" and "Poetry and Plumbing" by Karlo Sevilla

"Don't Fear the Rainbow" and "A Picnic Full of Secrets" by Jeff Bagato

"Cold" and "Denial" by Mónika Mesterházi, trans. Gabor G Gyukics and Belinda Subraman

"We Watch the Weather Turn," "Playing the Border Bet," and "We Turn Our Eyes to the Favored" by R.T. Castleberry

"Tales from Pump #3" and "Ghost Bike" by Matt McGee

"it might have been more," "it could've been worse," and "one in nine girls" by Kate LaDew

Sam by Kate LaDew

On reading Christopher Shipman’s “The Movie My Murderer Makes: Season II” by Darryl Wawa

On reading Christopher Shipman’s “The Movie My Murderer Makes” (Season 1) by Darryl Wawa

'The mind is the plot, it goes' and 'Like a stone that slows' by Ralph Angel

Year of the Rabbit by James Penha

"It's Been My Death Since I Was Born" and "God Is Good And Tiny And New (maybe)" by Paulie Lipman

"The Hair that Rocked" and "Rearview Mirror" by Luis Cuauhtémoc Berriozábal

Opulent Mobility by A. Laura Brody

"ISO angel wood," "pitch me an alternate ending," and "par for the quarter" by Dylan Krieger

"How to Build Your Own Underground" and "Ambulance, Shot and Chaser" by Matt Dube

Cameron Diaz by Robert Ronnow

Florentina wants to be a writer by Sandra Arnold

Hannah Chalew and Bill Lavender an Unlikely Salon

Jonathan Hayes

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