Darryl / Dadou / Baron Wawa is a Port-au-Prince born Haitian-American who studied Photography and Creative Writing. He enjoys chocolate and good books. That said, maybe a movie is a good book. He loves to work with images and words and their pairing.
In line and prose the poems blunt with humor and cynicism, in this dance that’s like having sex with someone new, or listening to anecdotes about your mom’s love life: it makes you uncomfortable at times, but you come back, it itches...
As a symbol, a hand becomes a want, a yearn, a chain, a command, a judgment, a labor, a seizure of sharing, affection, and property. The hand, the biological equivalent to the symbol of gesture, the means of participating in the play of life, the gesture.
The author is a master of proportion, a noteworthy quality, so that the bulk of the main theme (loss) and the other themes are revealed almost like video fades. The lines are clear, simple, precise, eloquent and politely unforgiving.
Impulse and Warp nobly attempts the impossible: to describe the chaos of time with respect. The poems can’t be rushed and aren’t easy on first impression. The syntax fucks itself, breaks up, then comes back to show that even grammar is relative.
Ironically, these seemingly cynical poems invite us to dig under the rainbow and see the flesh, the teeth, the hard truth of death; and the result is a beautifully complex twister of problems I want to solve.
Compared to the first book, the poems have become increasingly creepy, and the “murderer” more vivid. The story inches closer to a horror film, that scene when protagonists find out unpleasant secrets, searching in the shade.