"What I Leave Out When I Talk About Italy," "Justifying the Promotion," and "Lizardry"

What I Leave Out When I Talk About Italy

I am staring
at boarded
walls in
an American
bar now that
I have turned
my back
on the past
year, a month
ago a distant
fog if not for
the photos
of mountains
and beaches
and the beef
in Bologna. 
The thousands
I spent
was less
a subtraction
of my person
but instead
a lesson
in fire-
eating,
a teacher
that yanks
your hair
when you go
too deep
into the sea
in Amalfi
full of tourists'
feet and fish
that would
bite yours
off, and one
tried to. When 
I carried
you to shore,
the scalding
black pebbles
under my feet 
was its own act 
of forgetting.

 


 

Justifying the Promotion

Maybe it is not that I am ruthless
but that I make a good
impression. Or usual delusion
means the snake is not me
who swallowed the egg,
but contentment.

 


 

Lizardry

patterns of perpetual 
airways (throat rolling
Sisyphean lime)
 
green skin 
could echo through 
endless parties
 
of heart-clenching unworthy
jars of flour dabbed over
plush lips
 
wheezing into 
another life
sunglasses and rhyme
 
blocking the path
forged signatures
on grocery checks
 
sustainable
in the lack
of

Add comment

James Croal Jackson

James Croal Jackson is a Filipino-American poet working in film production. His latest chapbook is A God You Believed In (Pinhole Poetry, 2023). Recent poems are in The River, Mangrove Review, and Packingtown Review. He edits The Mantle Poetry from Nashville, Tennessee. (jamescroaljackson.com). James recommends 1Hood Media.