Sampsell is fully involved in Tony’s perspective, imagining how a two year old (the book goes until age five) will interpret what he sees, given limited experience with the world and its contents...
A fish leaps through a forest of trees. A kid cavorts - parades on the black plain. A small girl arrives at what she believes is a wedding, absorbed in herself- and burns.
With the genius pianist tinkling away The night has passed into a cool, subdued Darkness as soon it will be time to shut this Machine down & get back to resting my Body up as my recent exertions still show
We’re all telling ourselves a story about ‘how’ this all is ‘going,’ with no real beginning or end—and doing a lot of work to filter our actions and the world forces we’re responding to through shifting/incomplete/inherited taxonomies of meaning and meaning making…
Wawh’s homeland was on the edge of the sunlit world. Translucent people had reduced Wahw's place of origin to a destitute hellhole; they had blown it up with cannons to turn it into a void.
Nietzsche writes in Philosophy in the Tragic Age of the Greeks: “For the world forever needs truth, hence the world forever needs Heraclitus, though Heraclitus does not need the world.”
The site is gated, but everyone is welcome. So why hide content behind a form unless it is some- thing like rare recordings or re- search papers? I'm imagining a row of Cadillacs, sunk in the dirt,
For horses to surprise the sun For minus signs and the omnibus performance space inside Neville Chamberlain For perfect angels in this soup For hard dovetails and unnecessary riders of shame
