what kind of city is this where one line goes one way and another line elsewhere and another line with three possible points, another for foul shots, another for out of bounds? where telephones have lost some of their lines? where bodies come in types instead of fonts?
The artist says “I haven't drawn a stitch since;
I shake my fists at words and recall the rising din.”
The butcher says “I’ll grind it fine for you
if you stand over there and vote along this party line.”
Just look at your face so wasted playing a man so real, as real as charred skin in your hair can get. How far will you trudge down this never-ending path of enlightened servitude? Wade into the river to soothe your feet as many times as you’d like, but the ringworms keep burrowing.
How do you know when it’s done? I admit the children
were wrecked but the sad man gave me reasons to remain—
the sex was sex, his blows weren’t all that harsh and he never
shot at me but once. It’s a gift, I guess, to know how to leave,
All right, Catherine of the wooden raft with wheels and, all right,
Cleo of the heavy carpet and its intrigue in court. Darkness is not
night falling over us mid day clouds roiling in, electricity,
unease. All right, the misuse of power, blood lusts and scars,
ringo meets a girl-silhouette in a short black dress her legs are long, as alluring as throwing oneself into the thames to get over a bad life maybe the dress is what erases her having been called "tone-deaf" by george or web-handed by the south 5's drummer he suspects everything is distorted
The great Django Reinhardt wrote a song called "Nuage" - clouds - today there are no clouds - a pellucid sky, slight gold inscribed on the mountains and pure azure - a raven floats, the sun broad as in the poems of Whitman's "Song Of Myself"
The Stone Age in this age, the Flint, Michigan age.
Stone tools, cutting tools, edged blades
for removing flesh from a carcass. Smacked
against steel, spark, excite, to ignite
the old factories long smothered with vines,