The Door to Dawn

 

I am covered by bloody scratches and mud by the time I reach home. I slam through the screen door into the kitchen. Heaving deep breathes, I call out, “Mom! Mom!” The house is silent and dark with the setting sun. My voice echoes. A sinking reality seeps in. The pressure cooker pot—split open—soaks in a froth of bubbles in the sink. The plates on the dining table are gone. They lay shattered below a wall across the room. The mystery meat is a lump on the floor. Above it a blood red splatter of sauce trails down the wall. Dad’s home.

The woman doesn’t matter now. I shut down. I am preprogramed for this. Broom and dustpan. Windex and paper towels. Mop and bucket.

When the mess is gone, I make myself a peanut butter and jelly sandwich and pour a glass of milk. I stare at a dull stain left by the splatter on the wall. I eat my meal.

I can’t eat. I need to check on mom, but I have to slip past dad. I creep down the hall past the living room.

“Eric?”

I had been so afraid to enter the house in the woods, but I foolishly forget that monsters don’t have to hide in spooky houses or under beds. They can sit in plain sight, waiting to attack.

I turn. From behind I see the corner of dad’s face. A cigarette hangs from his lips. A trail of smoke drifts above his head. Thick reading eyeglasses are perched on the edge of his nose. He reads a paperback novel, probably Zane Gray. Listens on the stereo to Tijuana Brass. His gnarled hand reaches down to a Lay-Z-Boy armrest and grasps a half empty lowball glass, amber with scotch. White cubes of half-melted ice clink against each other. The hand rises and disappears. Rises again. I cover my ears. The next sound is a sound I don’t want to hear, but I can’t prevent it. A slurp, a smack, and a clattering tumble of the ice. The glass is empty. I make my move down the hall, not answering.

I knock softly on my parents’ door. No answer. Opening the door barely a crack, a shaft of light from the hallway reveals Mom lying on the bed in the dark room, curled up in a fetal position. Tangled hair covers her face.

“Mom, are you all right?”

“Not now,” she says, muffled by her pillow. I crawl into the bed next to her and brush the hairs from her face.

“I’m sorry,” I say, fighting back tears. There’s no point. There is no comfort I can provide, but I stay.

 

 

 

R. Grayson Wills

R. Grayson Wills is a retired film production designer who now finds the joy of the written word more powerful than the screen image. Drawing inspiration from his favorite horror and science fiction writers of his childhood, Richard Matheson and Ray Bradbury, he finds that beyond the edge of a suburban backyard there is horror waiting and wanting to be discovered. Thanks to C.R.S. Grayson recommends The Whitney Plantation.

 

Edited for Unlikely by Jonathan Penton, Editor-in-Chief
Last revised on Friday, June 19, 2020 - 11:45