The Door to Dawn

 

I always end up here at the oak tree. I allow the limbs to reach under my armpits and ferry me up to the topmost branches. I go as high as my fear will let me. Leaning back, I let the tree cradle me. I lay quietly. I listen. I can hear the tree growing. The roots churn through the soil, the limbs cracking and snapping—stretching toward the sun. Finally, I understand that in the woods nothing exists forever. This will be gone one day, and so will I.

From my vantage point I see my house, but behind me there is another. Hidden deep in the woods, a chimney rises up among the trees like a beacon. I am drawn to it. I know I will find my way there, because, somehow, I have already been there. I have always been there.

Long before we moved to the neighborhood I dreamt of a house. At the time, I didn’t understand the significance of the dream. I considered it a nightmare to be quickly forgotten. In the dream I am standing before its doorstep. I am a GI Joe doll. Articulated feet connected to legs connected to a sexless torso. Hands connected to arms, arms to shoulders, neck to head. But where my face should be there’s a moon pie of nothingness. A curtain’s pulled back in a window. The door opens. I watch myself stumble up the steps grasping the air for purpose. When I exit, whatever’s in the house has defined me. I breathe. I see. I taste.

 

 

 

R. Grayson Wills

R. Grayson Wills is a retired film production designer who now finds the joy of the written word more powerful than the screen image. Drawing inspiration from his favorite horror and science fiction writers of his childhood, Richard Matheson and Ray Bradbury, he finds that beyond the edge of a suburban backyard there is horror waiting and wanting to be discovered. Thanks to C.R.S. Grayson recommends The Whitney Plantation.

 

Edited for Unlikely by Jonathan Penton, Editor-in-Chief
Last revised on Friday, June 19, 2020 - 11:45