Anthem

The screams come and go in this place. They drift from every shadowed corner and every tomb-sized cell, and they bounce and deform through metal bars and hallways of concrete and stone. They mingle with the echo of patrolling boots and the clash of tapping batons and they dance amid each imprisoned groan whispered in fractured anguish and muted panic. There is no escape from their guilt-ridden chorus and here behind these walls, I have listened to them erupt from the mouths of sleeping men and I have heard them drown in fading gurgles. I have waited for them to collapse in the disjointed span of a final gasp and I have seen them go on and on at the turn of a knob and the crack of a spark. I have become an expert of their wailing pitch, their shrieking volume and their howling length, and when I am at home in bed, they linger in my ears, blurred and indistinct, and they serenade my dreams in a melody, distant and elusive.

But as the climax of our himno nacional soars throughout the prison, the yelps and cries have all stopped. The extremists and subversives and terrorists are motionless and silent, and like me, every guard is at attention, chins lifted, arms frozen in a proud salute. It is the morning ritual here and while the recorded trumpets blaze from high speakers, I must stand and ignore the throb in my knee and the tremble of my leg. I must clench my jaw and make sure I do not shift, do not give in because this pain is a memento of my service to our gran república. It is how I show the animals and monsters around me that I will fall before I quit, will die before I quit. I will wait until the last note has vanished and I am still at attention when the anthem ends and a whimper makes me turn to the naked ricachón being dragged past the guardhouse door, his limbs twitching, his fat lips mewling, “¡Por favor-por favor-por favor!”

I sneer because from the moment he arrived, I knew he was pampered and soft, and my stomach turned at the mere sight of him. His begging sounded across the exercise yard even before they removed his hood and I could tell instantly he had lived ambivalent and unaffected while patriots have bled and sacrificed for this country. That alone made him guilty and sighing amid the blubbering refrain of his tears, I move to my seat and resume my watch. I trace the catcalls of his fellow prisoners, the greetings of his fellow traitors and I take a deep breath at the clank of shutting doors and the unsettling return of the empty quiet.

“¡A la gran puchica!” Arcelio says, entering the guardhouse. “The rich pisado started crying like a niñita the second we took his clothes and made him stand there with his arms out. We never had to touch him. Can you believe it?”

“So he talked?”

Arcelio fingers his polished leather belt. “Well . . . no. Not yet. For the first hour, he just whined about how we’d made a mistake: how he was a businessman and not a communist — the usual bullshit. After another hour or two though, he claimed to have no idea where his daughter was. He says he hasn’t spoken to her in months but I could tell he was lying. And if they’d let us take him downstairs we could—”

“We have our orders.”

“Well, those orders are a waste of time if you ask me. I mean, who cares if he has friends in high places or if he knew the last president? A traitor is a traitor, v’a’? I say we take his fat ass to the basement and strap him to the chair. One look at our little machine and—”

“Orders,” I repeat. “And believe me, I’m not happy about it either but they were very specific: no extreme measures. We’re to use an informant — namely, the indio from Sayaxché.”

“You’re kidding. Didn’t he confess to . . . What was it? Sabotage?”

“Sedition.”

“Same thing. Why would—”

“The file says the ricachón had some family property in Petén,” I interrupt. “Maybe they’ll share a fond memory or two of walking in the mud for hours and sweating their asses off — that’s what I did up there. Personally, I agree with you; it’s a waste of time because you can’t trust indios. All they know is lies and the only thing worse than trusting one is turning your back on one. Mierda, if I learned anything in the army, it was—”

“Ah, but you’re not in the army anymore, vos. Remember? Besides, they gave us twenty-four days so maybe it’ll work out.”

“It won’t. Trust me.”

“You’d know better than I would,” he states, nodding and stroking his moustache. “I just wish I could’ve been there when you turned this indio. How’d you do it, by the way? Was it a threat of castration or did you use the one about violating him with a Coca-Cola bottle?”

“Neither,” I reply. “I merely gave him a choice: help us or lose the bottoms of his feet.”

“¡Madre de Dios, vos! You didn’t really tell him that, did you?”

At my shrug, Arcelio chuckles.

“How these zoquetes can keep fighting with so many gullible fools on their side is beyond me,” he proclaims. “I still remember the look on that one campesino’s face when you said you’d break the bottle in his ass after you finished raping him with it. I swear I’ve never seen anyone so eager to sign a confession . . . But I don’t know about this. An informant will take months, v’a’?”

“If not longer.”

“So what do we do in twenty-four days when he doesn’t talk?”

Again, I shrug.

“Well,” he says, “if we don’t have to put in too many late nights, I suppose I don’t really care — I have a new caspiana, see, and she gets upset when I’m . . .”

I stop listening because he can babble for hours about his romantic conquests, never realizing how annoying it is, never realizing how much it makes me question his commitment. He has only been here a few months and I do not fully trust him yet; he seems ignorant and shallow and more interested in drinking and parties than his job. And yes, I try to remember he is young and those are the things young people do. I try to forgive him for those things, those faults but when I start, I find that I cannot remember what it was like to be young. I cannot remember flirting with girls or bragging over cheap beers. I cannot remember going to movies or dancing in cantinas or what it was like to live without the sounds of trumpets and screams.

I can only remember all these years of war, of La Violencia and of this struggle we cannot, must not, lose.

 

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J. Paul Ross

J. Paul Ross is a graduate of Metropolitan State University of Denver and a Pushcart Prize and Best of the Net nominee. His fiction has appeared in numerous online and in print magazines and journals including, 34 Orchard, The Antioch Review, The Bacopa Literary Review and Fiction International. Currently, he is working on a novel set along the Pan-American Highway. J. Paul recommends Amnesty International.

 

Edited for Unlikely by Jonathan Penton, Editor-in-Chief
Last revised on Sunday, May 19, 2024 - 21:04