Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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selections from Whispers of Arias
by Stephen Mead and Kevin Macleod

It's appropriate that Stephen Mead has named this double-album of poetry Whispers of Arias, because despite the layered, operatic music and big dramatic themes, these recordings, ultimately, sound very little like arias: The vocals are so tortured and quiet that one can't help but think of a ghost in a symphony hall, desperately trying to impress something upon the listeners, something dire, something unbelievably tragic. Stephen Mead reads (and sometimes sings) his poems over Kevin MacLeod's complex and sophisticated classical intepretations, and the effect is transformative—on the rhythm of the poems, on the meaning of MacLeod's recordings, and ultimately, on the listener.

Stephen Mead says, "I began creating mp3 files somewhat by accident, or as an experiment. A few years ago I received a note from Frank Moore of Love Underground Visionary Revolution in regards to a few poems I mailed him. He asked if I'd be interested in recording them on a tape for him to play on his show. At the time I was just figuring out how to record my own voice and poetry as soundtracks for short collage-films I'd begun to make, yet the idea of using even a thirty-minute tape for a number of poems seemed like I'd be wasting a lot of tape time. I decided to add music to accompany my words, which eventually resulted in the CD Love Lullabies. In the past year I've moved to singing the poems entirely. Since so many of my poems are narratives, I've often thought of them sort of as choral, operatic or folk pieces, feeling influenced by such works as "The Umbrellas of Cherbourg" in addition to the librettists for John Adams and Phillip Glass. I thought I'd be working on yet another DIY project, (eventually entitled Whispers of Arias), but luckily came across Kevin MacLeod and his royalty-free music site, Incompetech.com. With his permission to use and play with samples from his site for this esoteric project, I've been fortunate to find a working collaboration." You can hear more of Whispers of Arias at StephenMeadMusic.weebly.com.


Check out these selections from Whispers of Arias:

Rings (Mourning Song: Rites Mix)
The Secret marriage (Streetlight on a Dark Road: The Parting Mix)