Unlikely 2.0

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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz

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A Mother's Art Brings Attention to Wrongly Convicted Young Men: Her son was a rapper and sentenced to 30 years, her art proclaims his innocence
by Jordan Flaherty

As the date approaches for the 10th anniversary of her son's conviction, Sheila Phipps is hard at work completing a powerful and moving series of paintings that tell the stories of wrongly-convicted young men in the U.S. prison system.

Phipps, a self-taught artist in New Orleans, has been selling and displaying her work for more than 20 years. Her son is Mckinley "Mac" Phipps, the legendary New Orleans rapper who was convicted of manslaughter in 2001 and sentenced to 30 years in prison.

In collaboration with the Innocence Project, Phipps contacted prisoners across the nation and researched their cases. Once she read enough evidence to convince her of their innocence, she communicated with the prisoner and then painted an image of them.

Now, Phipps is unveiling a series of ten works, for a show called the Injustice Exhibition. Her use of color and framing varies with the inspiration, ranging from muted portraits to bright explosions of color, often capturing small details like focusing on a subject's feet or hands. In the portrait of her son she highlights the gentle features of his face.

Seeing her son locked away caused Phipps' to use her art in another way, as both activism and as release.

"To be honest I didn't know what else to do," says Phipps. "I've had four lawyers. One of the lawyers said she don't even think the judges read the appeals we've written." The hope is that her art will wake up people to the lives being wasted in prison—not only her sons', but all lives.

"Art is a way to express yourself," she says. "So why not express yourself by raising awareness?" Phipps started painting in the 1980s, using art as a way to relax from the strain of raising her six children. She quickly caught the attention of Sandra Berry who runs the Neighborhood Gallery, a New Orleans arts institution. "Her work is absolutely wonderful," says Berry. "There is a sensitivity and a mother-like compassion in her work that she brings to every subject."

The subject for whom Phipps' compassion is most concentrated, her son "Mac," started rapping at the age of seven. At 11, his talents won him a contest held at New Orleans' Superdome, for which he won a record deal. He released his first album, featuring production work by former Cash Money Records artist Mannie Fresh—who would later develop the sound that made Cash Money Records famous—at age 12.

By the age of twenty-two, Mac had released two more albums, and was one of New Orleans' most popular rappers. His collaborations included tracks with Master P, Snoop Dogg, and Mystikal. According to Phipps, Mac stayed grounded, despite his success. "He's a very humble person," she says. "He doesn't even smoke and drink, if you can believe that in this day and time."

On February 22, 2000, after a concert in Louisiana, a fight broke out and a young man named Barron C. Victor Jr. was shot and killed. Phipps, who helped book her son's shows, was there that night. According to her, Mac was nowhere near the altercation. "Mac was in the corner signing autographs," she says. "When the shots we're fired, he hit the floor like everyone else."

According to Phipps, Mac ran out of the club, but then came back in with a gun drawn. The reason? Phipps says he was trying to rescue her. "He heard the gunshot and didn't know what was going on," she says. "All he knew is, I gotta get my momma out of there."

Although ballistics tests showed that Mac's gun (which he had a license to carry) had never been fired, he was charged with second degree murder. Another man came forward and said that he had killed Victor, but prosecutors said they found his story unreliable. Mac was sentenced to 30 years behind bars. It was his first offense.

"Before this happened to my son, I thought when people went to jail that they were supposed to be there," says Phipps. "Going to trial, I see how these DAs twist stories just to get a conviction. Then they go home and sleep at night while innocent people are just sitting there behind bars."

Mac's story continues to inspire outrage. A documentary about his case, called "The Camouflaged Truth," is currently in post-production, and last year Dee-1, an up-and-coming conscious New Orleans rapper with several videos in rotation on MTV networks, organized a benefit concert to raise awareness about Mac's case. For Sheila, every day that Mac is locked up is a struggle, but she plans to continue fighting. "I want to travel with the exhibit," she says. "Just to shine light on the prison system and how they railroad people. I hope that this will open up a lot of people's eyes."

For more about Mac and his case, see Free-Mac.org. You can view photos of Sheila's work at Every Portrait Tells a Story, or contact her at sheilaphippsstudio AT yahoo DOT com.

Jordan Flaherty is a journalist and staffer with the Louisiana Justice Institute. His award-winning reporting from the Gulf Coast has been featured in a range of outlets including the New York Times, Al Jazeera, and Argentina's Clarin newspaper. He is the author of FLOODLINES: Community and Resistance from Katrina to the Jena Six. He can be reached at neworleans@leftturn.org, and more information about Floodlines can be found at FloodLines.org. For speaking engagements, see CommunityAndResistance.wordpress.com. This article was originally published in Loop21.com.