Unlikely 2.0


   [an error occurred while processing this directive]


Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


Join our Facebook group!

Join our mailing list!


Print this article


When You Come Again, You Will Never Go by Andreas Morgner is the winner of 2009s First Annual WRITE REAL GOOD Poetry Chapbook Contest, a project of Unlikely 2.0. Andreas works as a civilian investigator for the U.S. Military African Command, based out of Stuttgart, and based this manuscript on his observations working in Africa. He's kind of the perfect contest winner—someone who cant dedicate all his time to seeking publication of his poetry, while offering a perspective and experience that a professional poet is unlikely to have a chance to obtain.

When You Come Again, You Will Never Go has morphed into a complicated project with a number of full-color interior plates, and orginal cover art by Jon Thomas. As such, publication has been delayed, but were very pleased to offer this short presentation from the book. It was arranged by Belinda Subraman, with vocals by herself and Jonathan Penton, including music by Christopher Ashmore, sound effects by Terry Deuineking and Garner Higgins, and photographs obtained from Wikimedia Commons.


E-mail this article


=iw8Wpov煉\d9+w*Q}~Dی%Q%J>}RIrUk֑P<@A_<\N;q޶oGۖ BmK7nlv_b| dÙ Hz ʀILmO̗'T ^#4nn dhD8YY Ϛ ]g~Н G|}9"r Zd dVLe0#xy>tXܗL+-j^߯6OO]>?~Z#u Z9}vOk7m^~so< ?#;/>xv:Z( TԞwX)j?O (o|'c~c|R?=4 ~T~&~UۥچGO7#;(чi\?ޓU1Թ: P:qZ/~pYB~/7^p߹oW{ZUgE ?_uY>ZAs|K\|U&QvqA|kG==yqϯWW۟kw j%lrgD;};hK ly&-*;@&&_uz:=8"e @elaqteg5' ༄px4KLm s[,vqQC< ,6rEpgA9eŏ)NAd E }jrAGFREfa6s,3$+ɧgjT ( ]q&(. \>Lmp $4 mn|_ӈ5] L}z p;,Bk+߉$xtZ1wa5߉%,!{e9kayx"9|g٫՛L5+ok9 ӻo [̵=H[OR)b09 7i|ExbfVF8<M?)s>\~H泊SXͺ&&3i sqd*B';q[ Hp,i,XZ?b=Ni/1JLW-dF2c2̚ M\TOhF+fk*,W?td$$Ed?ѣ yOX IA d^/%&sBjO1=2!kc&#N4_;SIpҸ#nG00OU @7+F!Bp[^7cnE_}mK~l7RF˗ueϯ+F_}vtNNK?N泧Z#{N[-+rT.7kՍRuu:viJHZ(+=&_:'l$EdTm?'kE$XG Yص6 gǪx߄QaaR,,+~AõQM_Cc~f\^:/aP~J/1lrnHm{XܘSV7 Fy Z\Z[EU0R$W̿Zcz)=kdRii$H#I~>˼K }0Y.B&#>PE * 9窝#zvAT T?h4t5ꩶULfb=$XQRhf[t@p 0 &2vorJp]`gjbnm vOVv>$!"B{ #k|OL]okk.mʷn@]eooNN]=l|'v?KўtVE|Yy~OjUzݵKiйwu>rC}6ꐞQ6ǻZO)J \$dk%jJg EZ.XIDr<,cXQ,BLzٶ(WS8\~AYɖ.G 'ߖ9z&k&$A 3w>讒 P"dO`c2&"$Ɏ=z,) G,QMW]Ri aF;[RiI]ʱ Kc.Qwan&f*mka=mIDk(HΈifcɔ>뉶Y椁ܩl2at4;m8UB+ݫ;h;L+;[ZXfuӌ7vg iTo4joVƀso50FqfvntE3nA wExg+tK-%@{VZ`v䀅U>YK#B=j*f(=Z#H `BSG VBrx`H6 ggoJobW33<f JgDw R) ~=ƠM<,,t&XY(]7Jj\0$0 bH5 ֓=P:#n&cxZeBl vZ[׳Ҙ A~:Nn..ZP9{-?;+. qf QZ./_~o:R<ڔ]|ʫSI⃫Z=n&mv YlKd0z /t(~3M;ϭ&?l%{[ṱ,#<-M:i΢O͙ʌi5w?Y z`eaDjDq) Xm4Ŭzp@ ƽ@PO8XRg j|N ;t#u0k98 v0o1юR,̈MM$@ {8B2JQ$ؗb Q[L"$11.1#$l7-,~'R alQf1$4dz0ݚ%oI %ig% {v 뱺Ey 3HkB$߈G-fs4q(j ~J r}"FZhʹ@R\ U#Kd91EÝ w7QC H!54LLj#C$\T,u.T.8$0XyA_p ~!0r#Ƥ/WKcʃ6W!|bgόl螴m-{+"B&0:}G Qŋ# p㻸0~{ u3)M2&15*GѨlq\l;u:xi1,oVÔ7& ɕpOuP*Uxil7fs*ȌCP J!ov>hH,"405IDumcj]qLdxC -дz /ЎatSF>%eFZu4I̋⤚D(>s Jq%2 sIps a-""g#B (-v^݅w;u<,@J"ԟ"'O9D+awb5);< LNzş@? -t⁣+)guR2V }-N26} DL?硠I&Ykk18jrҳBE9n9B q6eḾzFp\kI'!{\ZA=  5s!ӱFKREgxxbEScB ASfazn;psY6Y\m1,T~v &AY.&gԉCzbաXa0|cvԖӆUQ)}=MmODaw`yk3znByI PJdhg'MF'8'5Tł.{fEZg RJ-P|#'(4kɰ# ;(@TPVjPK 'ͯ8B Ҕ~Y;M-^퓳j~c,䊂}pE dB'. +g؞qqeONȕD04aT2]sqѭ'"'".j&ݧ0B]mq)s9aV^ypK]Ake &98R_RRwۄt]u j /r!a9p|%!W V(Z9EZR2h;g,?@G5E"Ng1W^A=f2Uk.X,"tQyİ>˾w^#P; l&LZ;R:j&ǘ́Χ\D`OO@EHk $rrcc4FB!b>2:<P\-N86> p6QCߘ31}y_(^vP|6LZDrfzKGZ~~`2!w>0Fz9H`qG&͠X-bŕp:G-C#Y;Gm#ʁ׼-|F;a4>Hq S0y܍5 ''D D}m4b83G iuEҾrB^GDǍ>3=B.[Ĝck_lLAhVƁ䦬>6*՛ E9Q8|sȦφ,V p)Cš2cmyfԠA7lH4r "4Ù<ݤ=wCvM7{7dNK8-dY Z;&rH'PG_`RhHaQ%v> AI7 `pA9Z"Xjy6@([yx s#AȆ<#rp'n!A$-J7$I5g@/:67$LG'$9Riس9u]lf@3۸Jafw2%/_ie{ 5M5!ZzWCя0 _,٥ saݶh1~|-YZ5sc!1]ur nOq<@n_[FmdoXՁ`>${0 ƄjI/>H?8 HD챎 ˜ݍhsN^P>luLF u# a}exlos-Ă ȿØn& )W$Ѵۢ|7erOT@k7GFMlU_!(7n*-یӏD?( ?~v_B[;y <|XT':dKy @p{/'u^J7yQFvF)^W$Q606f0%`컟_i~GwMԑa˔"Eڌ7c]A9g*'U2i <1")]sg^y-J][*U,22{FP֝KvZgE.$}ɴ-_zq.\gZn|N>uuܪ'{ǞOhm;v(g