Unlikely 2.0

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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz

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Jack FeldsteinJack Feldstein woke up one morning and decided to devote his life to making films in neonism. You can contact him at feldsteinjack@yahoo.com.au, or learn more about him at Wikipedia.

This movie is fifteen minutes and 146 megabytes, and is unlikely to run without a broadband connection. It is in the .mpg format, which should work with most recent computers.

Comments (closed)

Chuck Taylor
2009-12-19 10:48:33

Jack, I loved your film. It seems that script writers are just like frustrated poets, only perhaps more frustrated because their playing field allows bigger fantasies for success. Although I've never written a script, I've worked with graduate students in independent studies helping them write scripts. Does that make any sense? For years I've jotted down notes on writing scripts, but I would write it only for the challenge and the long shot of the money. If a movie were a tennis game, Sherman Alexie says, the script is merely the ball. I did have an El Paso friend sell a script for about twenty thousand. The most I've ever made on a poem is 75 bucks. My script, in the highly improbable chance it gets written and made into a movie, is a social cause script, but do I believe movies can change the world. Highly unlikely. You have a better chance of winning the Powerball lottery. By the way, none of the grad students I helped sold their scripts. They became English teachers.