Unlikely 2.0

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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz

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Leigh Herrick

The cover notes for Leigh Herrick's twenty-track album of music, spoken word, and sung poetry, Just War, include the statement:

The attacks that occurred in the United States on 9/11/2001 did so just 19 days before my departure to Vermont. This had a grave affect on the course of my work, not altering it, but deepening it, catapulting me into what I believe is a most necessary look at what it means to be living as a citizen of conscience on Earth and in this beautiful country, America.

cover of Leigh Herrick's Just War, painted by Branko Gulin

The artist's statement illustrates how Just War is not simple reactionary philosophy; neither anti-Muslim jingoism nor self-hating anti-Americanism, but a complex reaction to strange times. In pursuit of the necessary complexity, Herrick played the conga, large and medium tars, kanjira, tambourine, riq, guitar, cowbell, shekere, uyot hand rattle, tuning fork, telephone and a coconut shaker with coco beads, layering them with several vocal styles. The whole thing is done in a stripped-down production that makes you feel as if you're in a room surrounded by active, energetic musicians and singers.

We're very proud to present her tracks "In Consequential Ballad," a huge and beautiful overview of changing U.S. politics, along with the instrumental "Don't Fence Me In." But if you restrict yourself to these tracks, you might come away with the mistaken impression that Herrick's statements are restricted to Americana. There's a true global view in Just War, based on absolute faith in what happens in one part of the world effects the whole world. The interconnectedness of our species is explored largely through music, but also through her lyric poetry, with tracks such as "Congo Congo" and the "Passover 2002" medley. So after you're finished here, be sure to check out her tracks at CDBaby or iTunes. —JP

In addition to the 2004 release of her CD Just War, Leigh Herrick's most recent poetry manuscripts are Constitution and Laying Cut Grass (both circulating). Herrick's poetry or essays have most recently appeared in print or are forthcoming in Howling Dog Press, Kalliope, and MARGIE, as well as online at Howling Dog Press and others. Herrick is the recipient of several awards and fellowships for poetry including a State Arts Board Grant (Minnesota). Her latest public reading was part of the Minneapolis Housing Fund's Home Sweet Home Again Traveling Exhibition and took place in Minneapolis Public Schools before the Mayor, Board Members, and others involved in or concerned about the conditions of homelessness in the city of Minneapolis and what this means for students and educators alike.

Songs from Just War remained on Unlikely 2.0 for one year, then were removed for reasons of space and copyright.

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