Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Stuck in the Middle with You
Part 11

The beauty of the road between Los Alamos and Santa Fe, completely invisible to me that morning, was and is beyond my ability to describe. The mountains have neither vegetation nor snow, two accoutrements which I consider to only detract from the charm of layered, infinite rock. A desert mountain can't be described in the context of mountains elsewhere, and these mountains dwarfed any description I might make in the context of the mountains further south.

So we drove, down through a majesty that defied description, then down through a darkness which defied description, then the long stretch of relatively boring desert scenery between Albuquerque and Hatch. And we approached Hatch, alleged chile capitol of the world (though I'm quite certain there's a town in Mexico, somewhere, making the same claim), almost precisely at first harvest. And it was hard not to weep at the simplicity of the hardy scrub, the vast expanses of gleaming sand, the mountains always visible to the east. And it was even harder not to sing John Prine, to the dismay of the others in the van.

We gassed up in Hatch, driving half a mile to the gas station past the chile vendors, past the shops, past the relaxed, friendly locals. We stared at the woman photographing the convenience store. We waved at the Mexicanos in their cowboy hats. They stared at us. We drove through Las Cruces, the smugly simple university town. We drove past Anthony, New Mexico, into Anthony, Texas. We returned to the Temple as dusk was gathering. We dropped off Marvin and Herbie and exchanged hugs.

"This was the best birthday I ever had," said Twain, as we drove toward my apartment.

"It was?" I asked. Different strokes for different folks, I guess. "After last night?"

"Last night wasn't my birthday. Until midnight, and by then we had eaten."

"That's true. You enjoyed today that much?"

"Oh, yes. Thank you so much for coming."

"Well, happy birthday."

"Oh, but thank you so much. I had a really good time," he said, perhaps contemplating the possibility that I'd write this article.

"I'm glad," I said. We drove for a few minutes in silence.

"I think I'm going to make Herbie a soft-shelled crustacean," he said.

Continued...