Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Channeling Spirits with V.D. Cards, or, Why We Didn't Make It to the [Medicinal] Cannibus Cup in L.A.
by Frankie Metro

A generally unknown factoid about the bars downtown. If there are special events/music acts that are playing, depending on the venue and the demeanor of the bouncer, if you wait until like say, 12-12:30 AM to show up, they may wave the cover price at the door. We were fortunate enough to run upon this phenomenon when we returned to the Sister on the night of the 14th, or the wee hours of the 15th if you want to be technical about it.

I had heard about this group called OM as well as an artist named Sir Richard Bishop who were playing on stage that night.

We walked into a canopy of aphotic sounds and chain wallets, the stage area crammed all the way to the door as OM were in the process of finishing their set. The last 3 songs were immeasurably paranormal in feel, and the more one concentrated on newest addition, Robert Lowe, at the synthesizer/guitar, the more the audience seemed to be strangely transfixed. After leaving, I was quite convinced that the many mudras coming from his palms during the 10 minute bass solos and parabolic chanting left a charmed effect on the crowd. While their sound can be described as a mixture of funk/grindcore bass riffs, speed metal drumlines, and ties to places like cinematic sound scores and Theravada elder teachings, the visual experience itself finds no words to aptly describe. OM is another plane of perception, a convex emission of spirit and astral projected appreciation for the whims of the universe.

Even if you can't sneak your way in, and you have to pay full price like the rest of the hosers, well worth the carton of cigarettes you'd have to sacrifice for the experience.


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