Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Dreams In Time
VI: Mardsen's Office

"So you're telling me you're not just dreaming about this girl, but seeing her now when you're awake," says Marsden.

"Yes. So is this it," says Nick. "Am I certifiable now? Crazier than a proverbial shit-house rat?"

"No, Nick," says Marsden. "You're having anxiety episodes and your dreams are not allowing you to sleep well; so, I think your resulting fatigue is causing your dream-based hallucinations. I agree with the emergency room doctors and I'm recommending you get started on daily low-dose Prozac, plus a milligram of Ativan a maximum of three times a day. I think you'll find you'll just feel better as we get these dreams of yours worked out over a few more sessions. When you start getting a handle on your head, so to speak; and you will pretty quickly, I think—we can decide then if you should stick with the meds or not, OK?"

Nick had to tell Emily last night after dinner that he shrieked aloud because he was over-tired and concerned about how his episode at work might affect his tenure status. His wife of course knew he had lied. So given how he feels he has continued to deteriorate, Nick is relieved instead of resistant to hear Marsden's suggestion of medication and therapy together.

He nods and thinks for a moment how he trusts this man, if only because "the good doctor," as he has come to call Marsden, neither patronizes nor unnecessarily alarms him. Instead, he calmly explains to Nick how, based on his dreams of the girl and due to everyday stress and fatigue, he has simply been hallucinating.

Marsden has brought home to him in each session so far, how he has created the illusion of the girl "haunting" him, in a self-fulfilling feedback loop, a self-manifesting downward spiral of fear and fatigue breeding yet more fatigue and fear. Marsden was really showing him now, how all he had to do to escape his own nightmare was to simply change his mind, one day at a time, with a little sedative and antidepressant combo to help him along.

Given his hallucination and panic attack at Emerson two days ago and in view of last night, when he would have sworn on Emily and Alex's lives that he had again seen the girl from his dreams, Nick believed until beginning his sessions with Marsden that he was truly losing control.

Now all his sessions with Marsden seem to be culminating in a kind of epiphany—he truly believes he can extract himself from what his own fatigue and resulting irrationality have obviously created. Ghosts and dreams live only in the imagination. So Nick's visions are of the same realm. As Marsden has shown him, he has only to think differently to be free.

Nick cannot find the words to thank him. He begins to choke up as he tries to speak. Marsden leans forward in his chair and lays a gentle-but-firm hand on Nick's shoulder.

"Nick, we'll see you next week, OK? Go home and spend some time with your family. I think we've really turned the corner today. I'm happy for you." Taking Marsden's right hand in both of his, Nick takes a deep breath, says thank you and means it, then heads for the door and the parking lot. He can't wait to see Emily and Alex.


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