Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by William Aaron Tanner

A Song of Revolution

Boom!Boom! the drums of Ang-Land come:
             I see blind stars burst in the sky,
             And wonder how to bleed the best;
             I'll take no bread, I'll take no rest,
             While war is waged and Men die deaths.
Boom!Boom! the drummers have begun:
             So steel meets steel and Men bleed blood.
             If metal's forged in flames of spleen,
             Our mettle's pounded painful keen:
             Carve pound for pound this muddy green!
Boom!Boom! the drums of Ang-Land thrum:
             A throbbing wound all hearts must feel,
             When fields not green drink fallen men;
             A toast to insurrection!
             And all cold lips sing harsh peals grim:
boom-boom—so all bold hearts do run.




Fragment(ed)

God, it's goddamn morning again,
splashing in the sink with a sink-
ing feeling; but blind fear's so bland, and

I'm so fucking done with faceless-
ly facing the dawn something less
than sober. DUI's aside. Lied

to you last night, like every night,
said I still loved you, stifling
a yawn. You're old; yeah, so am I. Sigh.

Let's just move on, just go gently
into that mourning light, listless,
over it all. All over again. Then

I'm manic morbid and wired,
almost apathetic and sick,
which is kind of like content, I guess. Yes,

dressed in Dresden black, we'll take back
the night that was never ours. Drive
miles from our memories and fate. Late,

too late we learn, looking to be
lewd, that sane's just a state of mind.
Never mine. Life's just how I like it. Shit.


William Aaron TannerWilliam Aaron Tanner's professional writing career has encompassed various and sundry ways of paying his bills, including art framer, armored courier, and EFL teacher. He spent four years living at the foot of Mt. Fuji, writing poems, novels, and screenplays between teaching classes. He currently lives in New Jersey with his ferret Unagi, who followed him from Japan, where he is working towards a Ph.D. in Early Modern Literature at Rutgers University. He believes that literature and criticism are not mutually exclusive categories, and that they are necessarily political acts—both unpopular opinions in the overly complacent Academy.



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