Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Tropisms
by Bruce Holsapple

The truck slows
glowing faithful leaps—
a window yellows
draping a breast
a tinny radio

Why hardened
Why heat

Suddenly margarine
my onion rose
O most difficult!
the foliage scaled back
Old girlfriends
Old pants

Squirmy spells, expectations

When silenced dirt conk
violates novel dreams
consecutive shadowy girl sparkling
sacred denunciation/

reinterpreted cranks, green seizures

suggested white forces,
grinning
begins
emaciate
tits

2.

Hanging from branches
close to the sidewalk, silver spots
suspended drops

"A Thousand Points of Light"
President Bush, the inaugural evasive shine,
seriously mouth

(There are ropes about my ankles & arms)

A broken heart is an occupational hazard
"A Window of Vulnerability"

embarrassing that she's finally 18
that she's microscopic
juridical & parsimonious

The slender green plate skulls
like Winston Churchill
initial splotches of mink
"Can I help you, Sir?"

McDonald's as potlatch
dad offering up daughter
to the chieftains of industry—
She's speaking in tongues

(Belgium is squeezed
from the teasing hair)

Under pressure, everyone
becomes a politician
My marbled cake
a synthetic chocolate
whistle stop

that truth accrues from
(one station to the next)
how one pretends—

Such a cute smile!

that flat tires pollinating this stance too
that marriage is incumbent upon
disastrous fat

Afghanistan become
a living room
What nice mountains!

Sincerely, your Daphne

3.

O Hills O Soul O Anything
It feels like my brain's broke
whirling in place, all that fury & sweat
targets everywhere

Not "I want" but the pain
situations which I cannot change,
when all about me things sing like butter
I'm frying alive

spread out in some fundamental oil
so blocked & blackened

the Maniacal Dislocations:
this man is your wife
the bombing begins in 5 minutes

I guess the President refuses to think
because of his hard-on

Hit the deck, kids
This is an invasion

Nevertheless, "orange" includes
certain parameters, like airplane
how we understand agency
gun & Viet Nam

Whereas "sun" can host Aztec sacrifices
growth, God, the swastika
& sight itself

So that "orange sun" & "sunny orange"
become real estate, yachts
perception as property

Have we gotten to the punchline?

4.

Sordid brown pocketbook
undignified sorceress
3 children at hand
ordering burgers

What does that image conjure?
McDonald's square cheese
melting yellow sunrise over fried meat
white buns flipped
greasy potatoes

(Outside, the elms spread their tender, jagged leaves
brown spots invade, & the zeroes
creep in, Dutch Elm's Disease)

But why sordid always
Why distinguish her features,
her magic from my own failure
of which she is pure
evocation?

5.

Orthodox rectangular fish tank
bubbling green seaweed
gold fishes

Shiny car, smile, & gun
empty ribcage

The equations engender
declarations of love/
loyal red, white & blue
My territory right & wrong

"I don't want another dog
I want DILTHEY!"

A smell of pepsodent
gasoline

there's a war on TV
& it's measured by degrees
by popularity
by fire power

you keep flipping channels
slobbery chin
squeezing it all in
a kind of hostage

They're at the fifty yard line
think big, Daisy
think industry, bombs
O Minute Man, O Guided Missile!

Dear Mom, your shiny moons
like breasts

greased piston, Ford's
chomping green maniac
fits photostatic, serene whence
says St. Augustine

the womb as cantankerous
iodine. Begin again
the strangulating
inconsequential design:

War is not an accident

Getting the choked motor clear
cramped green seizures
infiltrate campaign sneezes
unilateral progressions become
Wonder Bread

a metaphoric disease
spread like margarine does
spread like Asian germs
spread like Kali:
Wide open for heroes

Dearest Henry
a deathless stamp
become reason

plant  please  plantation  place
take  factory  fake
(orange fin like a handshake
hand shark
a pretense of color)

6.

Welcome to the Assembly Line
the Principles of Scientific Management

As your textbook states
the Industrial Revolution
keep your hands off, kids
this is a Machine

Wheels invisibly propelled
by labor, resource,
& capital, which cuts

a Golden Triangle
much like on a dollar bill

That means getting dressed on time
standing in rows
saying Yes Sir

bombing in sequence

In God We Trust


Bruce Holsapple works as a Speech-Language Pathologist in Magdalena, New Mexico. He's published six books of poetry to date. His most recent book is Vanishing Act (La Alameda 2010).



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