Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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excerpts from Symphony No.7 (detached resonating hour)
by Ric Carfagna


15

Clouds drift
above the asphalt palace's reflection
as a myopic subterfuge vision
entombs a bleating sheaf of burning parchment shards
it is now the past
    the past
    of a mindless geometry's
    dissection of reality
             a voided space of subtle negation
             stealing breath
             from the votive candle's
             tapering flame
it is now the past
    the past
    of dust closing
    the impervious eyelid
          as the unnoticed stealthy cirrus wake
          enters the sleeping torso's
          weedy glandular dream
and here    it matters not
    to the mercurial faces
    of grey elegiac anonymity
          if day passes
          into the diaphonous rags
          of a sweating chemical night
it matters not
    to the narrow-spined stranger
    if a black linen veil
    covers the sunburdened
    concrete meadow's splintered edge
it matters not
    if a discarded sea
    of limestone slurry
    sculpts a sinuously calcified intestinal ravine
it matters not
    if a carbon atom's unbalanced orbit
    isolates time
    in a frozen eye's
    gelatinous oasis of sleep
clouds drift
it matters not




26

It is not the fate
of the undefined
observer
to retain the mutable
aspects of matter
lost within
the calcified eyes'
frozen gaze
nor is the essence
of the dead leaf
a knowable ontology
to bestow upon
the terrestrial denizens
of an unlettered poverty's grasp
here there is the negation
to explain
the loss within
the angular mirror's
petulant faces
or in the archetypal
promethean ire
hidden at the ferrous dawn's
internal edge
here there is the rusted penitence
of hard-tack obeisance
and the elegiac wheeze
of the ivory-throated sparrow's
liquefied dirge
and here there is
no onyx ghost
to inhabit
the tractable specter
of evening's fall
where narrowing
fragile aberrations
infiltrate the celestially radiant
anthracite glaciers
receding behind
the dust-knitted
quantum veil




76

"Dear Mr. Schrodinger" your feline lies within
a linty coffin's
quantum oblivion
within a darkened cognition's
gilded-iron reliquary
it is an entropic mote
in a blinded azure eye
a ghosted presence
scouring an inner cranium wall
it is one less voice
scribing its attenuated resonance
in a catatonic beholder's
tawny closeted dawn
"Dear Mr. Schrodinger"
there can be
no sacramental mourning
for an observant mind
accelerating into a chthonic oblivion
or a wincing pound
of quivering flesh
swimming an isolated gauzy existential sea
thus
you have raked
these medieval plains of gurry
you have stretched
this bloody torso's impermeable rind
you have frozen
the eyes of narcotic sages
you have bled dry
the verity from apocalyptic omens
you have erased
the slate of equation-bloated trolls
and here
here you have seen
the nullified ciphering
of myopic gods
the hermetic penetraila
breathing life to the alchemist's corpse
the dying light
from an terrestrial forest's ancient fray
and you have sown
the eternal orchid
in a ivory tower's barren steppe's expanse


Ric Carfagna is a poet and poetry reviewer from Boston. He now lives in rural Massachusetts with his lovely wife Mary and daughter Emilia.



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