Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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The Deadly Sins
by Marc Vincenz, Larissa Shmailo, and Philip Nikolayev

—first line from a poem by W.H. Auden


The deadly sins
can be bought in tins
with instructions on the label.

And the first such bin
heaped over its rim
was the Tower of Babel.

Could a can of beer
contain all that fear,
as Cain did meet his Abel?

But virtue's its own mess
and I just must confess
I like sin's fun Augean Stable.

And all those scars,
angry thunderbolts from Mars,
had Nimrod cowering in his cradle.

What ambitious kings
will do for little tins
or a snifter of immortal fable.



Marc Vincenz is Swiss-British, was born in Hong Kong, and divides his time between Zurich, Reykjavik and Boston. His poetry collections are: Gods of a Ransacked Century, Mao's Mole, Behind the Wall at the Sugar Works, Additional Breathing Exercises, Beautiful Rush and This Wasted Land and its Chymical Illuminations (with Tom Bradley). Marc is Executive Editor of Mad Hatters' Review, MadHat Press, Coeditor-in-Chief of Fulcrum: an anthology of poetry and aesthetics, and a director of Evolution Arts, Inc.

Larissa Shmailo's newest collection of poetry is #specialcharacters. Larissa is the editor of the anthology Twenty-first Century Russian Poetry and founder of The Feminist Poets in Low-Cut Blouses. She translated Victory over the Sun for the Los Angeles County Museum of Art's landmark restaging of the multimedia opera and has been a Russian translator for the American Bible Society. Her other books of poetry are In Paran (BlazeVOX]), A Cure for Suicide (Červená Barva Press), and the e-book, Fib Sequence (Argotist Ebooks); her poetry CDs are The No-Net World and Exorcism (SongCrew), for which she received the New Century Best Spoken Word Album award.

Born in Moscow and raised in Russia and Moldova, Philip Nikolayev is the son of a linguist. He grew up speaking both English and Russian and immigrated to the United States in 1990. Nikolayev earned a BA and an MA at Harvard University and a PhD at Boston University. His poetry collections include Dusk Raga (1998), Monkey Time (2003), which won a Verse prize, and Letters from Aldenderry (2006). Nikolayev is one of the founding editors of Fulcrum: an anthology of poetry and aesthetics, and his work has been featured in 180 More Extraordinary Poems for Every Day (2005). He lives in Cambridge, Massachusetts.



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