Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Trouble in the Yard: a poetry prose sestina
by Danielle Susi


It was silent in my backyard until two quick bangs. The neighbor's dog often flinched with every sound. Garbage trucks out in the street rang loudly off the fences. And as he barked, the dog's collar jingle-snapped like a lure in the water. Anxiously thirsty, he lapped from the bowl left in a patch of shade in the yard. The dog followed our small footsteps along the perimeter of the fencing. The windows of houses shutting with gentle bangs, and the lights switching on in the street making tiny humming sounds.

I was awfully fond of that buzzing sound; you never heard it when it rained and the water was sloshing hurriedly along the troughs of the streets. Heavy rains snuck under the bulkhead in our backyard—while thunder rolled banging around the house—streaming from the patio to the fence.

When we were young, we'd hop those fences trying hard not to make even a silent sound. We'd make our way through the maps of yards careful to never let our tennis shoed feet touch concrete.

And if we reached the end, where grass met street, we'd jump back over fence after fence past our own yard until we heard the sound of our mother's voice run like water from beyond the garbage truck banging. Her voice higher than anything else on the street. She stood on the steps unleashing that ice-water voice until we'd forgo fences and use the gate with its clinking sound announcing our return to the backyard.

Apologies were trapped by walls and fences, until we felt so guilty my brother let out a whimpering sound and we retreated to the house from our night-covered yard.


Danielle Susi is a writer living in Chicago. Her work has appeared or is forthcoming in Storyacious, Squawk Back, Knee-Jerk Magazine, Lines+Stars, DIALOGIST, and many others. She is the recipient of a writer's grant and residency from the Vermont Studio Center. You can read more of her work at DanielleSusi.com.



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