Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Sean J Mahoney

Tale of two types of twisters

A fraud indictment dished out
over bilking Katrina needy
the day Isaac strengthens just
prior to landfall. The metric
of a country downgraded to
clusters of isolated thunder-
storms and occasional hail
indicative of how far we've
fallen from the ideals we were
born under and into. And so
the aftermath of an event leaves
our story in fragments
too disparate for chapters.
Broken into smaller tribes,
dispersed as if by a magnificent
wind, separated naturally and/or
mechanically, we the people
are the drift. We are the lost
home and we are the flooded
street. We people transformed
into sinkholes here and now
barren hardscapes there. And
apparently we matter so much
that we require a categorical tag
stapled through our thought
to be broken ears.




What next

Past counter and
out door,
across parking lot
and onto canvas,
night promises scars.

Yes sun set.
Points darkened.
I flirt with ignominy.
Grease-dirty. Aware
of tricksters.


Sean J Mahoney lives with his wife, her parents, an Uglydoll, and three dogs in Santa Ana, California. He works in geophysics after studying literature and poetry in school. He believes that punk rock somehow miraculously survives, that Judas was a way better singer than Jesus, and that diatomaceous earth is a not well known enough gardening miracle. His stuff appears here, and even there, both in print and online. He dabbles. Frequently. In stuff.



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