Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Jeff Harrison

On the Mountainside

ink's expectation,
will you tell the General my brilliant supposes?


General Mills,
it's my step-smooth thought, see?


on the mountainside,
drawn small shock promised against look


persistent lady,
door-settled lesson full-accidentally misspelled


awake by daylight,
gentlemen recommend excitement in handwriting


George Washington,
you referred to yourself as having winning manners?


pennies,
relief dark against them


names again,
where do people find the energy?


dimly lit,
the points of interest regret cavalier treatment


sphinxes,
hobnobbing with the servants & getting them all upset


Lillith,
you certainly are a persistent lady


a horse,
differently colored though its shoes are still blue


hubbub,
despite the fact this contained only a handful of names


Abelard,
lays himself down under a pine tree


pine tree,
skillfully chosen specimens of William Wormswork




The Doors

the doors
closed,
nor
will they l-ong p-e-rsist,
the doors

th-e doors / closed
the third time a year later—
they've long p-ersis-ted,
have / the doors

the doors closed
"I'm helping y-o-u all I ca-n,
the doors"

the doors
from the futur-e
will not help me, still I'm
help-ing you all I can,
the doors

I nod my head "yes"
no har-m seemed to come of it, to
the d-o-o-r-s

the character The Doors,
in whose galaxy limited m-ention is made
of / the doors,

is Fortunato
walled in pond—
th-en
h-e'd answer to the name
Mr. T-ime Super T-ime Engine T-ime

y-ou yourself answ-er
to Fortunato's ne-w name,
Mr. Super Engine Time

I s-aid "ne-v-ermind",
Mr. Super Engine Time


Jeff Harrison has publications from Writers Forum, MAG Press, Persistencia Press, White Sky Books, and Furniture Press. He has e-books from BlazeVOX, xPress(ed), Argotist Ebooks, and Chalk Editions. His poetry has appeared in An Introduction to the Prose Poem (Firewheel Editions), The Hay(na)ku Anthology Vol. II (Meritage Press), The Chained Hay(na)ku Project (Meritage Press), Sentence: a Journal of Prose Poetics, Otoliths, Xerography, Moria, NOON: journal of the short poem, Dusie, MiPOesias, Big Bridge, and elsewhere.



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