Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Ned's Short Life
by Sam Vaknin

Lidija returned home all dusty and breathless, as was her habit ever since we have bought the apartment and she embarked on its thorough renovation, long months ago. Between two delicate but strong fingers she held aloft a transparent plastic bag, the kind she used to wrap around half-consumed comestibles in the refrigerator. Instinctively, I extended an inquisitive hand, but she recoiled and said: "Don't! There's a fish in there!" and this is how I saw Ned for the first time.

"He is a male,"—Lidija told me—"and Fred is a female". In the crowded and smelly pet shop the salesgirl elaborated on the anatomic differences between the sexes. So, now Fred had a mate.

"Fred" is Fredericka, our first attempt at a goldfish. One of the handymen gave her to Lidija "to keep your husband company while you are away", he explained mischievously. Fred grew up in a bowl and then graduated into a small and rather plain aquarium. I placed a clay elephant and a plastic, one-legged ballerina in it, but this unlikely couple did little to liven it up. Fred's abode stood on the kitchen counter, next to a pile of yellow bananas, flame-orange mandarins, and assorted shrink-wrapped snacks. She swam melancholily to and fro, forlorn and lonely, toying with her own reflection.

A fortnight later, Lidija and I purchased a bigger tank. I filled it with tap water and dumped Fred in it. Shocked and distressed, she hid under a shell and refused to emerge, no matter the temptation. Hence Ned.

I knew next to nothing about new fish tanks, the need to "cycle" them owing to the absence of nitrogen-devouring bacteria, and the stress that all these cause the unfortunate inhabitants of my aquarium. I dumped Ned in the crystal-clear waters as unceremoniously as I did his would-be mate. But Ned—having graduated far worse aquaria in dingy pet shops—swam a few triumphant laps around the receptacle and then settled down to the business of chasing food scraps. Fred eyed him shyly and then joined him hesitantly. It was the first time she had moved in days.

As the time passed, Fred, a codependent goldfish if I ever saw one, excitedly clung to Ned's bright orange tail and followed him wherever he glided. But Ned did not reciprocate. Far more aggressive than Fred, he deprived her of food, pursuing her in circles and leveraging his longer body and broader amidship to tackle the silvery female. All my exhortations and threats went on deaf ears: Ned would coyly slink away only to resume his belligerence when he figured I am out of range.

Still, every few hours, Fred and Ned would align themselves, as arrow-straight as soldiers on parade, and swing to and fro in unison in the currents, perfectly at peace, their delicate fins flapping regally and slowly. It was a bewitching, hypnotizing manifestation of some primordial order. I used to sit on the armrest of a couch, enthralled by their antics, monitoring who does what to whom with the avidity of a natural scientist and the wonderment of a child. Gradually, the susurration of the air pump; the gentle breeze of bubbles; and the elegant motility of my fancies all conspired to calm my rampant anxiety. I made a living off the proceeds of books I have written about my mental health disorder and so was gratified to escape the stifling and morbid environment of my own making.

Then, one morning, I woke up to find the couple gasping at the shell-covered bottom of their tank, tail and fins streaking red and rotting away, bit by tiny and ephemeral piece. The magic gone, it was replaced with the nightmarish horror that permeated the rest of my existence. I felt guilty, somehow threatened, imbued with the profound sadness that other people—normal people—associate with grieving. Reflexively, I surfed the Internet frenetically for answers; I downloaded a dozen books and read them; and I got up at all hours of the night to change the water in my Ned and Fred's minacious cesspool. I woke up with dread and bedded with foreboding and so did my version of Fred, my Lidija.

Ned's body was decaying fast. Fred continuously nudged him: "Are you alive? You come to play?" But, when she saw how serious his condition is, her whole demeanour changed. His swim bladder affected, his dwindling scales plastered with burrowing parasites, besieged by toxic levels of ammonia, Ned's compromised immune system—ravaged by his crammed and foul apprenticeship in the pet shop—didn't stand a chance. He wobbled pitifully. Fred stood next to him, still as a rock, allowing his sore body to rest against hers, giving him respite and the solace of her company. Then, exhausted by her own condition and overpowered by his much larger weight, she would swim away, glancing back sorrowfully as Ned sank and darted, staggered and careened.

Yet, Ned wouldn't give up. His magnificent tail consumed, he still took after the flakes of food that drifted down the water column; he still toured his new home, leftover fins flailing, bullet-like body strained, eyes bulging; he still teased Fred when he could and Fred was much alive when he revived. They slept together, occupying an alcove that afforded them protection from the filter-generated waves.

As the days passed and I added salt to the aquarium, Ned seemed to have recovered. Even his tail began to show some signs of black-tipped resurrection. He regained his appetite and his territorial aggression and Fred seemed delighted to be again abused by a reanimated Ned. I was the proudest of fish-owners. And Lidija's crystalline laughter reverberated whenever Ned's truncated trunk ballistically caroused the waters.

But this was not to last: the salt had to go. The fresher the water became, the sicker Ned grew, infested with all manner of grey; shrunken; lethargic; and immobile except when fed. This time, he ignored even Fred's ichtyological pleas. Finally, she gave up on him and drifted away sullenly.

One morning, I lowered a tiny net into the water. Ned stirred and stared at the contraption and then, with an effort that probably required every last ounce of his strength, he bubbled up, rolling over and over, like a demented cork, all the while eyeing me, as though imploring: "You see? I am still alive! Please don't give up on me! Please give me another chance!" But I couldn't do that. I kept telling myself that I was protecting Fred's health and well-being, but really I was eliminating the constant source of anxiety and heartbreak that Ned has become.

I captured him and he lay in the net quiescent, tranquil. When his mutilated body hit the toilet, it made a muffled sound and, to me it sounded like "goodbye" or maybe "why". I flushed the water and Ned was gone.


Sam VakninSam Vaknin (samvak.tripod.com) is the author of Malignant Self-Love: Narcissism Revisited and After the Rain – How the West Lost the East, as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, and international affairs.

He is the Editor-in-Chief of Global Politician and served as a columnist for Central Europe Review, PopMatters, eBookWeb, and Bellaonline, and as a United Press International (UPI) Senior Business Correspondent. He was the editor of mental health and Central East Europe categories in The Open Directory and Suite101.

Visit Sam's Web site at narcissistic-abuse.com.



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