Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Pacifist Road Rage in Nazi America: a comparatively divided review of Roberto Bolaño's Nazi Literature in the Americas vs. John Bennett's The Birth of Road Rage
Part 3

Returning to Trotskyism and its influences on both bodies of work, I found more of an acceptance (set against itself) within Bennett's gift, than Bolaño's stolen tongue in cheek. That is not to say that ideas such as Permanent Revolution and regulated global economics do not find their place within Bennett's narratives. No One Loves A Kamikaze expounds several observations that lay subtle claim to need for a more closely monitored global market—the message metaphorically strewn out over mountainsides, littered with oxygen tanks and chumps without change.

"Once men climbed mountains with the air in their lungs in big clumsy boots wearing animal-pelt parkas. Now they do it in lightweight synthetic clothing for kicks and endorsements, and the slopes of Mt. Everest are littered with oxygen tanks."

Still, it seems that Bennett is more comfortable, as is typical of the American author, to return the focus of financial or political ordeal into a nationalistic scope. In this instance, the lack of narrowness, often found in such viewpoints, was refreshing and completely absolved the content of any claims to international indifference.

Trotsky himself believed that the United States had established itself as "the foundry in which the fate of man is to be forged" during his stay in New York early 1917. (http://www.globusz.com/ebooks/MyLife/00000033.htm)

And even though Trotsky would someday denounce his Menshevik affiliation (because of their insisted alliance with Russia and their inability to reconcile with Lenin's Bolshevik majority), he would never really change his stance on the topics of Pacifism and democracy.

"Pacifism is of the same historical lineage as democracy."
(http://www.marxists.org/archive/trotsky/1917/xx/pacifism.htm)

That is what I ultimately took from Bennett's No One Loves A Kamikaze. Even though the truth or tactic will lead you onto the steepest incline of a slippery shit pile, you find there are more people at the peak than what you expected. They all smell the same, and everyone is waiting for the first person to make the slide downhill. But before mounting the summit, expecting any kind of answer whatsoever (and hopefully you're not planning on it always being something profound and awe- inspiring), you should ask yourself the initial question:

Aren't you used to the smell by now?
"I saw a magazine photo of a cluster of rainbow men planting a flag in the sky. The photo was all asses and elbows. Over- population at the peak of a five-mile-high mountain. Twenty minutes after the picture was snapped, they were dead. A storm came out of nowhere and snuffed them.
The photo lay trapped in the camera, like the voice of a prophet, waiting for the right moment to speak out."

Frankie Metro is the Chief Rocknrolla at Unlikely Stories: Episode IV. He reviews, analyzes, and sometimes features music and literary art. You can learn more about him at his bio page.



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