Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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You should never open the cellar door
Part 2

We went to my uncle's house and we lunch there, regularly. My father did not really like it but mum wanted to chat with her brother and with my aunt. And every time, my uncle poured a small quantity of wine into a big glass, sometimes it was red, sometimes more yellow. And every time, my cousin said crazy things that fascinated me. I did not understand what he was saying and why it was so remarkable and why my uncle was so proud of him and my father remained silent. I only listened to what he said, trying to memorize the words he used and the expressions and the sentences, even though I did not drink wine. Drinking was less important than listening. And trying to understand what was going on in the cellar, behind its huge metallic door.

I used to go back down there, too. I sat on the steps and looked at the cellar door. Sometimes I touched the knob, without turning it in fear it would open. Or I put my ear at the mouth of the padlock to listen. Nothing. A cold metallic silence. Maybe I could try to look through the opening of the lock... Maybe not ... What if I saw something?

Once my cousin came and he sat close to me. He asked me what I was doing there and I was not able to answer. He asked the question again. "Nothing", I said. "Nothing? You can't do nothing, this is impossible". He was older than me and cleverer. I told him: "I am looking at the door of the cellar. Your dad said that this is where that the wine comes from. Is it true?

"–Of course. Do you think that my father lies? There is wine in this cellar. This is what cellars are made for ..."

"–There is no wine in our cellar. We park my bicycle in the cellar".

"–Impossible. You cannot park a bicycle in the cellar. You have to park your bicycle in a garage. A cellar is for wine". And he left. I did not hear any sound coming from the other side of the door, that was closed and cold.


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