Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Michael Brautigan

Colorado Morning

The door stands open to the
Grand Mesa, and I look in
on the kitchen table covered
in sweet potatoes and flies. This
is country living.

I drove a beat up Ford sky blue
pickup truck with my shirt off,
trailing cigarette smoke out the
window, past scarecrows, and
that was country living in
the fast lane.

Still I look at an Abbott's glass
bottle sprouting yard flowers
and an abstract wood carving on
the door of a cabinet that looks
like the eyes of death, and
I realize that this could be
anywhere. This could be a
downtown Frisco apartment
or a boarding house in
Berkeley.

No one else is up out of bed
yet, morning job fell through,
and we smoked all the weed
last night under the moon.
No one feels like getting
out of bed except I did,
listening to the whacked side of
Ummagumma. I realized that
strange music propagates
remembrance of last night's
dreams, high school again, some
sort of graduation. I had to
break free. The morning split my
shackles. The past slipped back to the
subconscious.

The morning is twenty-five
minutes from being gone.
Colorado morning rotating towards
afternoon, nothing more to say.




Sleeping Late I Had a Dream

In the ghetto graveyard
the metallic jug band
blew media theme songs
as I passed on the cracked way,
and when the dusk came
I saw the electricity
flowing mad through the bus wires.
Sitting with the dark night keepers
on sidewalk curb
our fear separated us,
and I was only the observer,
too many dreams I have,
only the observer.
Then we raced to escape the city
because it was not our home.



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