Unlikely 2.0


   I am delighted that I am no longer alive. —Jean Cocteau


Unlikley Stories mourns the loss Kurtice Kucheman, who was so instrumental in the development of this site. Please consider his work on this site, his obituary, or our editor's tribute to him.

Unlikely Books celebrates our two new releases, Beautiful Rush by Marc Vincenz and #specialcharacters by Larissa Shmailo!

Recent Articles:

Ethan has nowhere to go, an exhibit of a missing story by Jeremy Hight:
a movie by Aaron Avila
a game by Johansen Quijano
a game by Anastasia Salter
an audiovisual experience by Alan Bigelow
an audiovisual experience by Brian Vann
a textual-visual experience by Jason Nelson
a textual-visual experience by Anonymous
a poem by Alexandra Naughton
a poem by Keith Higginbotham
a poem by Vera Lucia Pinto
a poem by Matthew Sherling
a visual piece by Scott Davis

Love Has Been Liquidated, Vol. 3: the sprawling choose-your-own-adventure longpoem by John Bryan now involves despair and dinosaurs!
Tom Bradley reads from We'll See Who Seduces Whom at the book's Boulder, Colorado launch party
j/j hastain and Marthe Reed perform pleth at the book's aforementioned launch party
&UNLIKELY: a group show in Denver, Colorado featuring Yuriy Tarnawsky, j/j hastain, Tom Bradley, Frankie Metro, Lindsey Thomas, and Jeffrey Spahr-Summers
"890 Words in Favor of Sodomy" by Willis Gordon
"LAPD Traps Anti-war Marchers, Two Arrested" by Dan Bluemel
"Mad Dogs and Englishmen" by Rich Wink
An Interview with Joe Davis by Jeremy Hight
An Introduction to Laura Beloff with questions by Jeremy Hight
An Introduction to Kim Asendorf with questions by Jeremy Hight
An Introduction to Steve Roggenbuck with questions by Jeremy Hight
Four Images by Casey Reas
Four Images by Andrew Bucksbarg
Seven Images by Kim Asendorf
Seven Images by Joe Davis
Four Videos by Jeremy Bailey
"A Case of Public Indecency", a one-act by Stephenson Muret
Four Visual Poems by John M. Bennett
Four Visual Poems by Reed Altemus
Four Visual Poems by Spencer Selby
Three Visual Poems by Jukka-Pekka Kervinen
Three Poems by Vernon Frazer
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Three Poems by Hanna Elson
Three Poems by Alban Fischer
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Three Edie Sedgwicks by Kyle Hemmings
Three Poems by Dan Raphael
Three Poems by Mark Cunningham
Three Poems by Billy Cancel
Three Poems by Win Harms
Three Poems by Felino A. Soriano
Three Poems by Jason Alan Wilkinson
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Two Poems by Patricia Gomes
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Four Postcards from New Yorkshire: Poetry by Anthony Murphy
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Last Chance: Poetry by John Grey
Deck: Poetry by Dennis Weiser
Ampersand Sutra: Visual Poetry by mIEKAL aND
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Texas Casino: Fiction by Misti Rainwater-Lites
The Insect Ecologies of Death, or, Amateur Hour (Towards a new order of the phylum): Fiction by R.V. Branham
Exit the Heroes, or, in Praise of Cowardice: Fiction by Elmore Snoody
a family vacation: Fiction by JBMulligan
Willis Gordon on George Zimmerman and our other favorite killers
Fred Russell discovers Fox News
How Our Leaders Are Elected by Michael Ceraolo
Nicholas C. Arguimbau on Obama's climate change plan
Global Autonomy: Coporate Central Versus Local Resilience by Dennis Weiser


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The Subliminator

For lack of a better term we have the coined and categorized "experimental" music genre. What is experimental music and where did it come from? The short answer is that experimental music was the earliest form of language. This language has done more than survive. It is alive and well and permeating mankind worldwide. It is broadcast for anyone attuned to the frequencies of natural rhythm through the airwaves on the ever-present unquantifiable dimension. It is unscheduled, untimed, unlimited. The practitioners of this language are warriors battling against the tyranny of the mundane. Dragonflies at dawn.

One of these warriors is Serson Brannen. AKA The Subliminator. Brannen uses his keen knowledge of music history in multiple genres as a tool to further his own musical conversations. A spoken word artist by category, Brannen brings to his performance a six pack of Theremins and loop station. He creates his loops live each time and stores nothing for future shows. His performances are organic, leaving open the window for the raven of spontaneity to come tap, tap, tapping at the shoulder of subconscious between audience and performer. His natural vocal gait is deep and transfixing while at his most vexed, wildly terrifying.

His artistic resume includes a stint in the Atlanta space rock band, Spaceseed, which got it's influence and one-time sax & flute player Nick Turner from space rock pioneers Hawkwind. Brannen has four times been voted Atlanta's best spoken word artist by Creative Loafing Magazine and is currently being considered for another nod. The Subliminator has three albums, Blue, which is out of print, Recalibrated, and Rake. The latter two are available online at www.StickFigureDistro.com and there is a new EP release on the horizon. You can visit www.TheSubliminator.com to listen to more tracks as well as see vids of the Subliminator in action. He is currently on a twelve-date East Coast tour making his way from hometown Atlanta all the way up to the big city in New York. He travels by two-wheeled tour bus. I suggest catching one of these unique performances unless of course you're too busy learning Keith Urban covers. In which case, as Hank III so politely penned, "Hey man, go fuck you." —ES


Check out these four tracks by the Subliminator, totaling more than twenty-seven minutes of awesome audio:




Comments (closed)

Stickfigure Recordings
2011-08-22 12:40:29

Thanks for the nice words about the Subliminator!

www.stickfigurerecordings.com