Unlikely 2.0


   No one can terrorize a whole nation, unless we are all his accomplices. —Edward R. Murrow


Recent Articles:

Trust Fund Babies and Phenomena of Interference by Steve Dalachinsky now available!

We Love You — Iran & Israel: a Short Film by Ronny Edry
La beauté est dans la rue: a Short Film by Mayakov+sky and Don Eli
Seven Images by Diana Magallôn
Planetary Climate: Ten Panitings by Leonard Kogan
Four Songs by Gert Fröbe and a review by Margret Crist
Three Poems by Alia Vancrown
Three Visual Poems by Nicholas Komodore
Three Poems by Lawrence Welsh
Three Postcards by Jacob A. Bennett
Three Poems by Wendy Taylor Carlisle
selections from Symphony No.7 (detached resonating hour): Poetry by Ric Carfagna
Three Poems by Lizzy Swane
Whisper, then the illusion lengthens: Poetry by Felino A. Soriano
Three Poems by Marc Thompson
Three Poems by B. Z. Niditch
Civil Servant: Fiction by Tom Bonfiglio
Listen, Arcada: Riffs on Invasions, Violence, Doom, and Other Pathologies: Fiction by George Sparling
Waitstaff: Fiction by Bruce Memblatt
The Spa Owner's Family: A Novella by Dirk van Nouhuys
Phil Rockstroh on police repression, official mendacity and why OWS has already overcome
Jerel C. Wilmore documents the March 3rd protest at Virginia's Capitol Square
Rev. John Helmiere describes being beaten by Oakland cops
At the Crossroads of Climate and Food by Councilman Richard Conlin
Starhawk on green entrepreneurship in impoverished San Francisco


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Gabe RodriguezGabe Rodriguez is an award-winning filmmaker, writer, and most recently, lyricist. After graduating from Syracuse University's acclaimed film school Newhouse in 2006, he has worked on The Apprentice, Make Me a Supermodel, and Bill Moyers' Journal, and been published in Hispanic Business, The World and I, and MovieMaker magazine. His short film Susie in the Afterlife won the Spirit Award at The Queens World Film Festival in 2011, where he was also noted as an "emerging filmmaker." His most prominent work is the feature film Fighting Nirvana. Gabe also made a web-based documentary called The Joy That Got Away, about the making of the cult classic Return to Oz (1985).