Unlikely 2.0


   I expect a poem to be a slogan, a dagger, a fist, and a bullet if necessary —Khosrow Golesorkhi


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The End of Unlikely 2.0

A Sardine on Vacation, Episode Sixty-Nine: Recommendations
Whispers of Arias: Music by Stephen Mead and Kevin MacLeod
Phil Rockstroh and Angela Tyler-Rockstroh document Occupy Wall Street with an essay and a 20-minute documentary
Linh Dinh finds meaning at Occupy Wall Street
Yacov Ben-Efrat chronicles the Tel Aviv protests
Robert Levin seeks the why behind proselytizing
Two Down (Europe, USA), One to Go (China): The Chinese Ponzi Scheme and the Oncoming Global Depression by Sam Vaknin
Three Poems by KJ
Three Poems by Sheri L. Wright
Three Poems by John Grochalski
Three Poems by Luke Skoza
Three Poems by Wendy Taylor Carlisle
Two Poems by Jonathan Penton
Playdate: Poetry by AE Reiff
The Rin Tin Jubilee: Poetry by Luke Marinac
Autobiography: A spoken-word film and poem by Kristina Marshall
What You Lose When You're Weak, You Take Back When You're Strong: Fiction by Jon Alan Carroll
My Sorrows and Disorders of the Psychiatric Kind: Fiction by George Sparling
Kara: Fiction by Iman Carol Fears
Living Two Wars: Creative Non-Fiction by Rita Bozi
Magalíluismil: Fiction by Paul Kavanagh
Peg's Cat: Fiction by Heidi Bell
Four Photographs by Sheri L. Wright
Five Images by Fabio Sassi
Six Sculptures by Stephen Harrison
In you, everything sank: A short film by Rebecca Freeman and Adam Fine


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selections from Whispers of Arias
by Stephen Mead and Kevin Macleod

It's appropriate that Stephen Mead has named this double-album of poetry Whispers of Arias, because despite the layered, operatic music and big dramatic themes, these recordings, ultimately, sound very little like arias: The vocals are so tortured and quiet that one can't help but think of a ghost in a symphony hall, desperately trying to impress something upon the listeners, something dire, something unbelievably tragic. Stephen Mead reads (and sometimes sings) his poems over Kevin MacLeod's complex and sophisticated classical intepretations, and the effect is transformative—on the rhythm of the poems, on the meaning of MacLeod's recordings, and ultimately, on the listener.

Stephen Mead says, "I began creating mp3 files somewhat by accident, or as an experiment. A few years ago I received a note from Frank Moore of Love Underground Visionary Revolution in regards to a few poems I mailed him. He asked if I'd be interested in recording them on a tape for him to play on his show. At the time I was just figuring out how to record my own voice and poetry as soundtracks for short collage-films I'd begun to make, yet the idea of using even a thirty-minute tape for a number of poems seemed like I'd be wasting a lot of tape time. I decided to add music to accompany my words, which eventually resulted in the CD Love Lullabies. In the past year I've moved to singing the poems entirely. Since so many of my poems are narratives, I've often thought of them sort of as choral, operatic or folk pieces, feeling influenced by such works as "The Umbrellas of Cherbourg" in addition to the librettists for John Adams and Phillip Glass. I thought I'd be working on yet another DIY project, (eventually entitled Whispers of Arias), but luckily came across Kevin MacLeod and his royalty-free music site, Incompetech.com. With his permission to use and play with samples from his site for this esoteric project, I've been fortunate to find a working collaboration." You can hear more of Whispers of Arias at StephenMeadMusic.weebly.com.


Check out these selections from Whispers of Arias:

Rings (Mourning Song: Rites Mix)
The Secret marriage (Streetlight on a Dark Road: The Parting Mix)



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