Unlikely 2.0


   There's the mute probability of a reciprocal lack of understanding. —Mei-mei Berssenbrugge


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The End of Unlikely 2.0

A Sardine on Vacation, Episode Sixty-Nine: Recommendations
Whispers of Arias: Music by Stephen Mead and Kevin MacLeod
Phil Rockstroh and Angela Tyler-Rockstroh document Occupy Wall Street with an essay and a 20-minute documentary
Linh Dinh finds meaning at Occupy Wall Street
Yacov Ben-Efrat chronicles the Tel Aviv protests
Robert Levin seeks the why behind proselytizing
Two Down (Europe, USA), One to Go (China): The Chinese Ponzi Scheme and the Oncoming Global Depression by Sam Vaknin
Three Poems by KJ
Three Poems by Sheri L. Wright
Three Poems by John Grochalski
Three Poems by Luke Skoza
Three Poems by Wendy Taylor Carlisle
Two Poems by Jonathan Penton
Playdate: Poetry by AE Reiff
The Rin Tin Jubilee: Poetry by Luke Marinac
Autobiography: A spoken-word film and poem by Kristina Marshall
What You Lose When You're Weak, You Take Back When You're Strong: Fiction by Jon Alan Carroll
My Sorrows and Disorders of the Psychiatric Kind: Fiction by George Sparling
Kara: Fiction by Iman Carol Fears
Living Two Wars: Creative Non-Fiction by Rita Bozi
Magalíluismil: Fiction by Paul Kavanagh
Peg's Cat: Fiction by Heidi Bell
Four Photographs by Sheri L. Wright
Five Images by Fabio Sassi
Six Sculptures by Stephen Harrison
In you, everything sank: A short film by Rebecca Freeman and Adam Fine


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Stephen Harrison



Stephen Harrison has spent the last two and a half years back at the ANU School of Art, completing a Diploma and a Graduate Certificate in Sculpture. In 2012 he'll attempt his Masters Degree.

Since graduating from the Canberra School of Art Bachelor of Art (Visual) in 1987 where he studied under Czech Printmaker Petr Herel, Graphic Investigation Department, Stephen Harrison has held 20 solo exhibitions and about 25 Group exhibitions, both nationally and internationally. Recently his sculptural work has taken precedence, as seen in his show: "Blue Thylacine, other drawings and the Decayed City Sculptures". The drawings shown in this exhibition were like a mini retrospective, comprising at least 10 years work.


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