Unlikely 2.0


   Children of the future Age reading this indignant page: know that in a former time Love! sweet Love! was thought a crime. —William Blake


Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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In you, everything sank is a QuickTime movie file which will play automatically on recent computers. It is 66mb large and will require a high-speed Internet connection.

Rebecca Freeman (b. 1985, Essex, UK) investigates narrative, working predominantly with drawing, print and silhouette cut-outs, alongside ceramic and installation. Her interest is in pulling at the threads of thickly embroidered fairy tales and fiction to create work that reflects her fascination with the immeasurable capacity for storytelling as a tool to entertain, teach, record, comfort and deceive.

Adam Fine (b. 1983, Texas, USA) has worked primarily in drawing and the moving image—both with projected video and video installation. Thematically his work concerns the transience of Love as an emotion and its various physical realisations.

In collaborating with Rebecca Freeman, Fine has used the opportunity to work with film rather than digital video, utilising the photo-chemical process as a synthesis between the stillness of the tangible mark and the illusion of movement through its sequential projection.

As a collaborative pair, they are able to realise visions otherwise unattainable when limited to their respective skills. Their shared love of narrative and the eccentric allows them to draw their ideas together, if not seamlessly, then harmoniously.