Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by K. R. Copeland

Confession from the SS Section of Forest Hills Cemetery

If you are listening dear one, ear pressed
flush to the earth's cold chest, listening hard
like we spoke about, for the answers
of a madwoman long since gone
and far more stone than sea, listen dear,
for here the answers be:

There was always a crack, a leak
that left green streaks across the basement
of most days.

The calamity of family
and all the clacking sounds
their little mouths made
made me sick.

I tried, I tried,
but died a little every day I lived
as if I was unfit to breathe
the same air breathed by others,
smothered by the oxygen of God.

Degraded by the same old,
same old
daily grind and dirty
dishes piled higher
than my tallest daughter's eyes.
I'm telling you, a whore would never be so bored!

But I, the bread-knifed housewife, dried to sand,
half the woman other women were
a pint as glad.

I lied, I lied!
Thinking back upon it now,
on all the twisted knobs and limbs,
white ruffled knee socks, slacking.
A little headless doll.
A large man's longings.

My flaws a lot less awful now,
my witchy eyes less black with incantations.
I can't imagine smoking is allowed
but what I wouldn't give for one last puff!
My mouth hole all filled up
with Saintly smolder,
instead of this perversity of worms.

I died, I died!
When I was young,
flung toward some facsimile of slumber,
forced to conform to ordinary
corpse etiquette.
O, being dead is not what I expected.




To Give Oneself Death

A gift without wrapping;
a single bullet to the brow
or a toxic cocktail tipped quickly
toward a hopelessly open throat—how romantic

to fantasize the finality of it all. To be found
facedown in a plate of blackberry crepes
or spread-eagle on a bed of untended delphinium.

The hum of life, monotonous;
an incandescent light bulb's
subtle buzzing. Enough

to drive anyone to wonder,
why not nose dive in front of that there bus?
No fuss, no blood-soaked carpet, not a single

parting thought. Perfect
for the person who has everything.
No packaging required, no damn bow.




Five Phases of Human Decomposition

I. Fresh

The flesh is impeccable,
except for its lessening
temperature. Simple to mistake
for the living—unless you are a Dipteron.


II. Putrefaction

The body greens and swells, leaks
and loosens. Marbleized and blistered skin
will slip off if disturbed. It's certain
that some insects will feed well.


III. Black putrefaction

The carcass darkens, becomes
a larval carnival. The bones expose
themselves, like hapless flashers.


IV. Butyric fermentation

The organs all get eaten up
by greedy body-bugs. And the waxy
man that was becomes a mummy.


V. Dry decay

The bones go slowly;
grow protienless
then skeleton away.


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K. R. CopelandK.R. Copeland is a frequently published Chigago area poet slash Pushcart nominee, with work recently appearing in Canary, Rosebud, and Soundzine. K.R. is the co-editor of Sea Stories, the online literary journal of the Blue Ocean Institute, and assistant art editor at The Centrifugal Eye.

"Confession from the SS Section of Forest Hills Cemetery" was previously published in Literary Burlesque. "To Give Oneself Death" was previously published in Shakespeare's Monkey Review.