Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Heather Brager

She occasionally speaks in language.

adjunct formations
using correct participles
indentations leading her
properly configured paragraphs
never ending a sentence with a preposition
or speaking without
proper articulation

and fluid pictures are found
covering the transparency

with remnants of childhood
patterns and textures of fabrics

tasting late season June berries
adhesive of one hundred holiday envelopes

narrow stairs creaking after midnight
the distant pack of wild coyotes

she occasionally thinks in thoughts

overwhelmed with nostalgia
in moments not yet had
reconstructing the pressure
of speaking digestible clarity
his eyes from across the crowded bar
and the tang of scotch and
soda on his lower lip




January.

gritty slush passes the ankles
a surge of wet indifference
thrusts of air through the cochlea
almost reminiscent of harmony

light filters cyclical malaise
monochromatic hues of white noise
dodging the slack and pulling taut
nearly reaching essential altitude

chinook winds press the western walls
a hasty recollection of salvation
foliage crawling under reconstruction
slow motion frames against the sky




Knowing.

I used to breathe
in counting one, lengthening
and filling starved lungs
out on three, freeing my flesh of demons
clinging to my cilia

I used to sleep
ceiling to floor, cradling unconscious worry
releasing the irreverence
etched across the walls of
my sodden, swollen eyelids

I used to draw
randomly flocking, fractions of souls
shine and longing within their eyes
liberating my fingers of fret
clutching empty transformation

I used to know
much less of the workings of my mind
of the valves of my mechanical heart
the rasping and weary
measurement of my broken stride


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Heather BragerHeather Brager is a mother, professional multi-tasker and life-long procrastinator. She is a lover of music, art and words, and often arranges her perspective on life into the occasional poem or drawing. Some of the results of her restlessness can be found by visiting HeatherBrager.blogspot.com and MsAmericano.DeviantArt.com.


Alex

Comments (closed)

a.g. synclair
2011-04-27 19:44:39

An amazing artist and writer, this Ms. Brager. But, then again, I am somewhat biased...