Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by A.D. Hitchin

Two Buds

We swam together when you had no breasts
our joys rising in the longing eastern skies
undulating weeds stroking hands, arms and
feet

defiantly we stood, naked before cruel local gods.

Today, I saw a brief glimpse of your face among a sea of black umbrellas and marching tides and I wonder if you realised that quick face as mine ... ?

Perhaps we must all suffer loves inconsistencies
the torture of infant bodies bleeding into adulthood.




Alcatraz

Spiders hide the madness, pretty sandwiches filled only on the outside. With symbolic dressing.

Living in
allegories. Mad for visions to be presented. Where dross burns,
burns. Prisons and asylums of mad
ones, each beautiful, fragile
as roses.

We eat
reality like birds
eat
feed and rabbits
eat
lettuce.

A yawning Alcatraz,
the entity within clawing ribs desperate for evolution.

Mathematics

The final datum
from bud.
It was
fed
and the day came, as with all nature,
the time to
eat.

will we remain dutifully?

because I'm sure the universe moved while we were still at the table.

Perhaps the learned can deduce the calculus
those of the 'perfect' language of numbers.

In my dreams
thin winds keep a column and I
awake with nape hairs standing

starlight appears faraway where once it felt
close enough to touch
now the points
of parasols seem too sharp and

offer scant shade at all.




Waiting Room

Six o'clock appointment
faces downcast avoiding eye contact in the cramped quarters of the waiting room, this grey avenue.

Tonight I
will dine well and watch the yellow and pink of sunset
Contemplate the birth of
winter. Her premature dark already closing in;
enfolding,

If I can just keep putting one foot in front of the other I'm sure I'll perform miracles.

Perhaps I will allow the light bulb to invade my bed
step out
of this costume, dead-head the
buds of my embarrassment
climb Everest, muse the sub aqueous stillness of your lips ...

awaiting the coupling that ends the night.


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A.D. HitchinA.D. Hitchin is a poetry and prose writer published extensively in small press and independent journals including BlazeVOX, Dogmatika and 3AM. You can read more at: myspace.com/AntonyHitchin.