Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by john e

Arguing Without Remorse

When your skulling is direct
I take seriously only

that black dot on the horizon
otherwise I float

toward the heel of clouds.
When you are pitter patter

you're bleach to me
without the sting.

I'm made clean.
With no rucksack

or attache, off I go
to skull you back.




Shall We Compare Sorrows?

There are moments lost every minute
explosions mimicked by thunder
and those burned limbs, leaving traces
of the nothingness we were
and some short life made shorter
while remembering childhood and war
while I have had the nothingness
without the fire, I've lost my way on my own turf,
mysteriously bleeding inside, knowing this,
ambling on. Maybe it's the curse
of the moment when it becomes something else,
something behind itself, a familiarity
turning even cliche even more than predictable,
the leaves fell last fall, my heart skips a beat
letting me drift into sudden explosive expectation
like the time before, and the time before that.




overture

the last few years a stain
not as a mottling or spill
but veneer meant to reflect
vaguely whatever is present

and here you were
having a beer laughing
with your daughter there's sparkles too
there in the stain

underneath there's rough spots
places where nothing shines
where nothing shined

dark spots
for years and years

now i will
open the blinds
deep focus on
the well of reflections

squint into
the end
of the sky


(in memory, JAD)


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john eJohn Eivaz (john e) was born in New York and lives in California. He has a chapbook, Remainder of Thursday Afternoon, available at Lulu.