Unlikely 2.0


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Three Poems by Steve Dalachinsky

a slow drift (evan parker- mark dresser- jerry hemingway- herb robertson @ the stone set 2, oct. 4, 2009)

a slow drift
        a certain whiteness in the space
             a certain pure streaming
                       capturepulting  loopool fixed eyes
                                   unspoilt texts
           knowing    sawing    sorting    thru   lesions
                                legends   allegiance to legion   of everyness
                barrrrr AH     cuuuuuda's     kudos     strip the AIR
                            of  nonessentials  lead off conundrums & all/theres

belying here where a camera can only capture
the stillness of the movement of the moment
antennae  e'er alert to the oncome of onslaught
where it pours the fixed eyes staying ever fixed as even
the heads themselves begin to roll.

             RED ALERT  RED ALERT  —the engines arrive
                                  the plinging piping barreling & barpoling
                                            have set the house afire
                    & now regroup themselves adrift mid-stream
                                 unda-loopool dark that is—the whiteness of their
                                                              eyes.




train (evan parker - joe mcphee duo @ the stone 10/7/09)

Immediate train caught thought fully full—here there is no buried treasure—no ruinous voice—no mere reading of the score but as naked as the lunch I digested so long ago—devoured—piloted by the dead where the living cover us in stone, worn parch, shoe lace & loafing en fran chise ment. These can tell us what they'd thinking without hoarse or placid word-for-wording. Common knowledge prevails—saxophone su(b)mmit to ringspring or grins' aspirin' unjacketing. Soft climb & back to step-by-reeding step & such delivered. & then again a navigated solo occurrence.

Here's an interaction before even the release occurs & the as thus stated & released. How instinct takes over. How listening begins even before the notes are played. Before the very sounds appear. One hears the other before the other's spoke. These duly respectful, maturely offered off'rings breathing circles 'round their selves.

And such unique breaths, indeed.




remarking on the sweat (parker-evans-lee set 1 @ the stone oct 2/09)

sonically—the floor begins to tremble
                                   & break into a sweat
        as i do
                       there's no reason for reason or reasoning
                               duplication of feelings & ideas
            green lights sur face(e) ing    like ragged surface of
                                           well-worn floor
                  trembling—    is this more like tremble than rumble?
                                             trembling yes—precisely what my sweaty neck
                          perceives the floor to be doing         when i am

            why o wasted guillotine of shock
                            better to roll the head away
 than have it play the roll of seductive corporeal culprit.

                             get past what
                             it is you are
                             facing.

   personal note:
                              to be too low in the mix
                              is not like below the level of
                              hearing.

                              to fidget with the wires in
                              the fish bowl
                              can cause a burning
                              sensation
                              if submerged in
                              water—
                                                rumor has it
                                                     that rumors abound
                                                                         everywhere
                   take tonite for instance
                                 i heard that there may be a revolution
                                            even a bit of rain
                                  let's wait & see where the blade will fall
                                                          if the clouds open
                                                               & who if anyone gets off(ed).


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Steven Dalachinsky was born in Brooklyn, New York sometime after the last Big War and before lots of useless little wars...he has been writing poetry since before then and has always...he is basically self-taught...his great loves and influences are the Beats, Blake, Kafka, Camus, Harpo, surreal and abstract painting and music......especially jazz and so-called "Avante Guarde" or "FREE" jazz. Two key elements in his poetry are spontaneity and the idea of transformation rather than description with a preference toward non-linear, non-narrative thought. He resides in Manhattan where he has lived for the past 30 years.


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