Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Quintessential Quentin
Book Two
by Bryon D. Howell

Go to Book One

One

When Quintessential Quentin came to town ...
he pestered all my friends in search of me.
He'd asked where I had moved and could be found ...
the souls who care respect my privacy.
But nonetheless, he found me on his own ...
he smiled like the devil only could.
He said, "It breaks my heart you're so alone,"
while rubbing at his crotch just like he should.
He then unzipped his pants, exposed his cock.
His pants slipped down a bit below his knees.
He said, "Come on, you know you miss this rock."
I looked away and softly said, "Oh, please!"
"My God, you've changed, you've learned a little class?"
Cold turkey works for crack, but also ass.




Two

I asked if he would stay and have some tea ...
off came his clothes and on the couch he laid.
"Oh," he said, "but you'll be drinking me."
I said, "You ain't all that, I ain't afraid."
And so I made him tea, passed him the mug.
He said, "This tea; it needs a bit of cream ...
come over here and have yourself a tug."
He'd shaved his balls, his cock was pink and clean.
My mouth began to water for a taste ...
he stroked it for a bit and when he jizzed ...
he shot into the mug; none went to waste.
He said, "I'm being nice, I could have whizzed."
He handed me the cup and said, "Now here ...
you sober people like fresh tea .. I'll share."




Three

So, Quintessential Quentin made his move.
He placed his hand upon his pale cheek ...
so I could see his sweet, pink, sweaty groove ...
he knew the scent of it would make me weak.
He said, "Forget the tea, I've got some cake ...
for you to worship, come sit over here."
And once again, my knees began to quake,
"Come on, French kiss this molten derrier."
I sat back and remembered my own pact ...
forget the drugs and sex; learn to be strong.
I then recalled the self-control I lacked ...
back when I let my Quentin stay too long.
Upon that fucking cock I might just choke ...
to solve the problem, sniff a little coke?


Go to Parts Four through Six

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