=v8vΙIJ,/UсHHM,,w eɶ\j&&\^ O;gۗwI/,n:i2);Mwe 445`V5UZ4mH2q Ѵy 2>Sp} uZu `i΁p$1$vBľa,ZALC%[V1^<&q\m><>wjJYn+'|"wH=ɾ?1pZm$^N:|GW&돃ݕ'/nZ+>)Cg@h<._wrZ=n>zQp#=?zLJ4ytw,ѓۻ#;ޟv[Hܮ(|u6wYyG0xow{^V{Ww޽H쐟//Ϛ?ɏexߎnzn|Y]ȏDJ%?Ynw[j.ލ^K6* 擸XomP}o#O>XY~j|ڿS.=#]Dq/BOJm;aWoߜ6=guYp"x>7f2 F[B;9q*p1l‚hJO/v[{|GvU$nk+u)u)*`xf,Wz `TY^Rtw 0_ⳁLJW v|ЖUpeMkoiI||XGpK˙aQ)cP:>Y+e-WgM&  7+ю2\UZ+`a<پ+}@<37Q?eLΓ6,ݐRa[_D 4MW„Ǡ^,'Gd,u_DsVL hZ! w"{YDdGa2C1 Gf fOca~te&:8ZgoM3߄v@6j>}[{VP0j; ^GW~[-"qp^ Qoe%Ve{xbYtmjXY&%y HH׆r]5`dm s eQBCcZ?H=,ԣ@D9U@1 s;a|Zv&) 51('ZnC 6;;M^2}wV+S:̯7nj_[7v%wh5E(~\}m}v]k}'[gk߫Ivxs\wG^„htV襟ϷVvW{_ ˎōOIsu?zF Zk׍/*wWM{D?tyRZ_Ox:JB/e3A$hVKNM*ZV>n6# N:ל?#t@sBEx/d)f&ԛĒ lLS (W~SL|i0702Y#Msg`cOa@C C/ODx۾tIO\iO璉b)EaTrKS|]Z+~e -ߨ c\6KN,tVJ3| 7`KiՇ~=3NkPCod|({ѵ:oF0¥jM.B gg'r{enwh&ZfƠgz*{,Ӛi'q`O[j:|"5k8Mث1O ֪ԙ)H }LY..'\bbiid7b, ;|G)`!HcQk恤}NcJc:BJ efɩȀ390FФ4u{A<Y.= éo`$;7 S;F#P{6eX˥<,t)&Xy~:.K ^-x5a>ed$Cd{9'&!n j_WqۤIȘcb Cifn\scfL3>\'6yDgZek/ >)9V_ʒ?ݔNTKZmʀk[ ~3,˳τ啵$@Vk&y60t; VFL-2x4_H@gX8_l Fu?S+) G/-|{+fgy3XiSYԕ3Y5&z=5_3n~f#'#tWےЫfwrA]jSS6FgKJ~Wʤ}RAygvf#'9gQQM8ƦqܜruZpj<"aFhmlXtmZ5v:mBR[#]&fATSi %U?Җ F9z Z4&?iUX~q1kl4FV=a|{fMwɍ8]RQKR.b:ܙ{uGQz">uPzUCn}uQ1"f dglpg{K yB8ƕ0dk6`}$a8j ̥xGƺf\\KUhk%<{yEw\Ys:m!.|sURAͲ@.eM.j.D&,j'`@gLǯ ~`7/p}75;wk4ܭZCkYY|Ji=g-5ad,k0j3Qr"LH$!vvϚ6K[H B΂")EW#8c4}|%"avȡ(v$2}M1&B3u6j_=ESc|܉q 5+ R@E&l뽴$ٷIFRim0Zkڲ26:i:_LM#lѣ K1B}u2<#~eħuӺ-_vtIl\ʅFgao÷H}c*; xq4D[j|"y"n,CIU +I1]2^w *_thm&8dߒo{BG>`9G*LY^._JWk\^gƫZnObfv3|K6"B cY[N æul36*٤$riBY#0B|xީk"_"b /Wb@Mr@F &XN7baڟNK =&MWHT!,uz@&4V,ˀXYeq[ӻg QLq-  ,AsT8ʹ%r-M'i,nA+y7('0 {gKqju14` ש@Qbd/ Iql 948߃LŢ&Tȝ qw\d ALyH䚹̮|3JxfrIR  :TBPT5ȱFNM5+'iTo#LL?B}1K#'|i6SmBtV;-#7?Ȑ={pJ 4+ΕVZ.7ʋ;zJ'9 X Mɾ$ D*ZPj :h4aXPNG9}0?g&Vw`ڜ%9. V1[Ja8MB7ohkL[>1({2qL*TmS0ѹO=bx6nIS?cibaycPr=\, `TFq;ܵ肣##1&#} v QxW̩72>LAovJ_  4- R)LpQGygd'(D ȶ`OEVlj M#,zY2T=(#o{f{: e yf;S5o fmc2G6H31mh\A#_jAEr`[DVؽ>ّ VV0S١?>rLh"0*1nQy`CvOqP#h61I v|ǍDNH 44'Ml0ؘ ȼH.oϼ(FпYURRγ=e #/^aM '=Ҕ C$Ʉ($yYɁ#iHTmC| zVxs?=QDt 1m=hwpOIøML+{0nm;k> nὐ}^odu(8Q!n^f 4K%aj&/j=rp>A[sm<p#3|{Љ&4hMQF1w06M 9z\bG ӜMh 5a*Fd?CvM;̕1Aw2+Sx&2B;_R D#_OQ5L10$.}eTpaNVWB`)Fz>YP,f_LkAcm,Ɠ:xtcjֲ= !VkМh6zH[0MB>tld4șMj aS6jUКت1W?V! [-n+'7<[9'ДCj>ݳnTb1-Wg… Л˶)Fm1\+W'xX*\~/s2^E&=&7@P~ˇ7`5b|R"u@e[s͎\/15W2>,: C)ҡ1Z[id4\0 #OC1E RSe\Wd5 i:'cb,~1?XOl>CNj+\x6Cs,TnE/JX̩3\L떁"K9bSuF\lVIp6 ä"`Й\}+Fvbc0E"o6& e1X8eP;}Gq8gDr @@$WO 7惴X׉/ln`Zav 쳀)6z17L%( 8 8NL%HS 9I.c_W,C~2mZDca&ԓ\1.% Q"LܐX ,gk"F"9J{{_;UsMJ6"d b7I1!f+S1ph 'ٝ} :a7ٶ5pI$Q=dsv |NnәO`Z9K"^qVvO=ҝg>VFP`I BJ+-jeZ1JĴ̉APycWn4GNgoqj-) XN}/$.n :JsuBSOwye;D{x5iR1͘vԓHD)YZL,e`ӟ"CzdiG`PxxDh(|5)z/CJDq[ u:ćvzq=\rP3.942lw%yR](f;8O7~09"y kߟf~[x  WWg^ʏ4w`qM D'XA箤hJGc57_İ&(gF<Ǚ{d5LxCXVRvp=7un]\>2i8i^`$^.aޔ=q»㩭<3tΪ?y~ED̍sXFQͣ憸EǯI1KL~a강L )܏tA-m`6LW=Д'd%{fʙpE1dY3OB!Y ə2WPN軗GH XiJԙ47v3悯qO~Ӽ}ȝNA`Fs~&rxo\fx$HT'r#HBY/A`u#/u ^&J7vyV5F{QV$4KmS[`aUgN/ԀsWBXMb^ВeBM\CirmʌWNLdB&dș4P,W_g'מw{;ZhrnP=IJW?S.s;@Ż H

Randy Adams


Check out Jeremy Hight's interview with Randy Adams in this issue of Unlikely Stories: Episode IV. And be sure to check out his collaborator, Christine Wilks!


runran a.k.a. Randy Adams is a Canadian media artist with a background in creative writing and visual arts. His photographs and mixed media works have been exhibited and collected by public galleries, foundations and archives. His prose poems and essays have been published in various magazines and newspapers. Over the past 30 years he has received several grants for writing and photography. During the past decade or so he has extended his media practice into the digital arts, fashioning hypermedia and animations for the web, live performance and spoken word. He has participated as an organizer and/or media artist in conferences, screenings, performances & artist's talks at universities, colleges and art galleries in Canada and the UK. He has worked online as an editor, artist, writer and web designer since 1997. He is an autodidact and not nearly so stiff and sober-minded as implied by this bio.



Pin It       del.icio.us