}v8{~uzikVg-׼yDB"l`dΙ/>w̗(KRfqzrI,@D \ޝ/4nZ,"di:%эlx)q<*7$ثY>d1w| uZu `"i΁q$1$t7Ǿi,5^F%ST ^<!'u[OO]vx%K\n6wãqǖ+Er D10gS駫}#ݸ\m\Go!OditMkM|wNwA־z|\=%7ݨ\Vw?)OcT:\lʟ݃jLC;<:]JȆNc>+k}o9jՂNJ}'irwB~Η/˥ˋx^7vSU8x)asNVʋFXtݸg=~/Xc#N߷5bclGr{#N\Iby{۸xST?GV/'M1jfb4u뒵`E|HwW&wD}X&lv31bTne}lъo7k߾enJVj꟝!.lGHu) P?1B+(5"9͝B ׫t 8ҕܵ;>{lǗ*8"`Mko/viI||X3MaQ!bu T}hWZP& '+m'ɴ >T y#|!<=6PC?et3ofaϣ;MQV!1|AXtj2D,TGrޖTdZ!x8)db3ɏ8xߎclS@+3!Go!:~Ք滛&vtƴ3`c_k~`z_-|FѕW@$̑I~g+a e)Wá}gbYE1 5+ok* "uo `#=nKeK| f,3,<ԦI[็j4hc7 l̷}0Ii6-;SzYޔ k|<1%0ڟn 7%U@ ?A[P"˛KWq#e^))ues5-3&ǬY f.NPw,hz+"h*-?I !"QI"Qa%mz1`N|ЇѿCWpx׋)17sNsY̜yF)j)zԕA se~vH!SEv `$ѶT_-~q ˴]P"_2AA',`V'譖ʵJ\VWk嵕Z~ <ϩG=cR.JኀrKAH (ʍ yY)#<ѿ'LP`U})Ak#~ Hr\0HoFkd'G7Ai)Կj`ye/a?hw)e7<]hb6^K+k@嵵Ju굕j_]/`Hix)NtHG_ʂ eлF4= ¦#?KN-]YG">B=c9bX w%x#0|DuAZqy8>H&W*G.fku=S`+pTvYf> /=5C I'H|Wی|w1+3~\kl&C\8IϯƈάQ{$:;V*eq)^ܱ+IM[cӞ@5P^]շַ+VѝSo}'[g Nts\GZ„}jtK?o//ՆߥGwqF꓿}wrȫ-w7۽[hVW_n+w{+=?tRZߜJ_]<%!KF[tXА$p]%+ Ie,+~I!&ݬ=bqnZ`G6X38X~BY5'+|W[葀$!dVKt o}ШP&ͻE@3MMȤOn򘑴V&0DȀZr$V@Ou@;m 4ÔC*$6`6Ғ#"r2Qwu~&fժT͒Mkf=ϻd#OWP!_/7ڍi2>fiw͜7# xR5&wgg'rȄxeՎǜ40 2h }ikC 44$qLiu6`_hwPQN ƪ=L!֥.H4t^..om$\bbxDgh7b, |G3)`!HaQc恤mcRgb>x{*ʴ͒u Z:PLJ gfNgBcEtO#Bk%;Tz]Dc0X*2m;-Ծl eڗt9͠fjSSMclA,gRc\ϸ)?ki탁Yyo"āVl뽕Ôuz|pB¶1ƽ@Ѐ.XeR5~OV&m ʻZfSؘos ma(Co 8NTN tG7tO?u QO|w\֦ l3ͯAʳr!݉QĆ:Ndsi+%U/^0O'Ͱ%uyW_iQ0O6_$qbON$>qP[1qAE={uoD!K%x Uluaz+Dglpw[k[p[0W/ L4[کs {5MGx:iCӗQ ~J@y賰qj5@\yyt dR7\^-ǝϡwtv۾[ XrG1V*vص ɱR^OY.0,Li'/ƹ0h!w"!`jwb|=4qX^DbPrIa-J7g: ND?\lDY`6v6MAj#DW my"C\,ujVK~Z|4IOJ*F >zfI1(LyI_- 9~4!PrG+#ʯTf E4{4$'H#M9 ]}AKq>@/Q0C0ŝ9K|Cզi7Aᮺ" WfaVu!Sȣ̟&E$J);ii`a>G||Y1ICjIfB*W6W:WoDɃ*Hh.XNr:8;#ɹPc$?ur Hɡ"y@CVMHF`ϓ)Y,lYH$ MȽ\CʥXz%D3 vq+yۑF$: :מ6:,!HM+ d0ƙ<)߿9"S;9<=lXXDm, 0"P)5S؍6 uԧÆ8+5I>Pk#'YsE+#Q LЀ4("|}d'fg /I.9,)wE.:>`@|k 2 P"+TLµz; D(zPȠ>yM )W!aqK!Є\/v||Izm.(Xoꑳi+ dy7"lTC,.ċ@8`K?_~ G}:$ R0#BKdʥGBY;Lcش qFe 'CS2F#+` P'F" 4UF(P5PDBKDТnzaPO ݹЕ"񀂕nk.i6c:_X['Pf Ic]c`:X2p-R'$yBپ^loԊ1}xNk FQ5\R JP6~8TW`#jTWCrVK޼VM$ՑI@v $,hKP_\M0ITxZ@4z<]aSc [a`VO`T=0w879"J8 '9 X pWGATg&BWNv4 =?vNG20Y?oGX!F nu Bd4Jb#VۺJq&Bܭp}5P+ TrdǤaj341l3l #e9&&&`z3\tZoNmKiV2Bg{nʂ+W,9I S0vLs'jE"d8/ a0O SHY[g!#&\yRYT5̳Fq2.AbXZG-=(w?ს"|s|ܮy%~1_S.DW!JNHXU{0OKhΧhW [ا` h71_:2Am =hˍ2I#z7,S1n4t)I }T }> po6߀Y+fD;0Rt`atW'I#se4C]@#@+$EkR'/Lt?QsJsE.01R+E!:<f:õ p諣#&}'!#i0n#`Ty=D2%z bW ^#9TVb3GI|>W E >bkz_wy[B6+=F<Gi ֊pT.JT+̗C0 ȥm^ b@$ rYWm$Q)Wp|@GL/dz7iB"V#. (ѱ*J ?A s P1;ܫ KPNwT"i{Vɶ.2nU4rq1GIyG\:^8~Z!C{ Uk+l-(D:Sf<w_0bij{DtR0yn{ֵɥ><=,£6B[VkKڣlG,V xx r#u(Sg[{ G4"EHьKJ8aKq.ޥk`ox<1ԋE)၈Kl07&@??A `>rOR!pȵ)z*} qaEhX}k+%K=D̦>{g#_*vy\eJ&;\dw cT GJ>S_KeB] iJ!#njjB$TA |f!̛U4BopR;0_%L7Xs眿(->ҕEoIrK&{Tn̕oDrgFarGD(K0Ș ]ǯ)`#tYxEo*_)7zOg>ɯ fm+1GK_y]){tf*e0u<97e*"/ߥb&i lN5 dV,&2jtQWOU m}sЦ7H=@%N-~Ԉ ˮg-^ :FtF(h{IoMF+ӧrnϚjVݪ&pЮ1E5J_*+gTj;C=> M[3?G Ex.ctsflg'F!#5_c;wXA1aoH*9C#z!l[yRʧKG:l4 oa."jpQ-$dv*3cզҚpE>dv3L1i"9&) +xFac|=@&-bLꋗ{BsW߾Ho A0 ':CV-;i_?771]$4@x%HY oŘTi.sՊ2d HcЗa@W$Ht 6jMV0Нz6W+:Il|׫U]L(ޑ5MMqSs]y&R2%১Xd([Gfm2O muFW`Au._O#GĻK/=ČWgXuάh'u& gЯ,<1=LI[_v&۽kɵn\\~|T½RյΔ;*n4P>

Randy Adams


Check out Jeremy Hight's interview with Randy Adams in this issue of Unlikely Stories: Episode IV. And be sure to check out his collaborator, Christine Wilks!


runran a.k.a. Randy Adams is a Canadian media artist with a background in creative writing and visual arts. His photographs and mixed media works have been exhibited and collected by public galleries, foundations and archives. His prose poems and essays have been published in various magazines and newspapers. Over the past 30 years he has received several grants for writing and photography. During the past decade or so he has extended his media practice into the digital arts, fashioning hypermedia and animations for the web, live performance and spoken word. He has participated as an organizer and/or media artist in conferences, screenings, performances & artist's talks at universities, colleges and art galleries in Canada and the UK. He has worked online as an editor, artist, writer and web designer since 1997. He is an autodidact and not nearly so stiff and sober-minded as implied by this bio.



Pin It       del.icio.us