To set the process in motion I decide, arbitrarily, to use the three lines on page 62 as a post-snippet. Then, I begin at the bottom of page 61 and, working my way up to the title, arrive at the following poem:
Which is why I’ve kept my secret cold. Blank. Unforgiving. When I’m out walking it calls to me. Sounding high and strained. As if a string instrument gone out of tune. Something to reach toward. Frayed yet determined. It eats to my bone working its way beyond.
O sand O silk O galactic black wild—she dances naked, breathless, on the web-spread surfaces of Zodiacal light.
O exposed bruises, O love doubled into madness, madness into self murder
flood of sunlight bouncing off dust particles, ions in the coronal plasma, forbidden spectral emission lines—
no reason left to act on logic alone. no charges of aiding & abetting
the madness. revolution of unconditional love will bear all responsibility.
complete with endless summer soundtrack. no advertising budget will
be needed when supernatural is added into the equation.
Our friend Jeffrey has traveled to many cities: Cucamonga. Bentonville. Portsmouth. Providence. In each city he has gotten on his knees. He has prayed to the local god or goddess. In Newark he spoke to Sarah Vaughn in a cocktail lounge and to Allen Ginsberg floating high above the Jewish cemetery next to the traffic jam. Getting the okay from Allen and Sarah, he renamed the airport so we can fly into Allen Ginsberg. Then he flew into Louis Armstrong and learned how to second line.
where is the marriage muzzle when you need it most?
coast to coast nihilist in search of midnight missives
gypsy rings carved out of tree bark, don’t be sorry
for never being what your mother wanted, the ospreys
are here now, the hard part is over, thrown bored-eyed