Unlikely 2.0


   You do not become a "dissident" just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed in a position of conflict with them. It begins as an attempt to do your work well, and ends with being branded an enemy of society. —Vaclav Havel


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Recent Articles:

The League of Non-Voters continues in A Sardine on Vacation
Two New Translations of Pablo Neruda by Sigerson
Gabriel Ricard reviews The Book of Hopes and Dreams and interviews the editor
Five Altered Photographs by Anna Maly
Two Collages in Six Images by Adrian Kenyon
Disintegration: A Short Film by Ginnetta Correli
Eighteen minutes of music by the Clockwork Dolls
Resisting an Underlying Moral Vacuum by Emily Spence
Legalizing Crime by Sam Vaknin
Stephen Lendman on Kevin Cooper
Lorna Salzman on climate change and creationism
Eileen Fleming on Mordechai Vanunu
A Sardine on Vacation takes on sneezing
Sigerson translates selections from Fleurs du Mal
Three Poems by Joshua Conklin
Three Poems by Justin Carmickle
Three Poems by Robert Louis Henry
Three Poems by Sam Schild
Three Poems by Luis Cuauhtemoc Berriozabal
Two Poems by Cassandra Dallett
Two Poems by Ed Coletti
Three Poems by Lyn Lifshin
Lake Waves: Fiction by Len Kuntz
The Healer: Creative Non-Fiction by Chuck Taylor
The Demotivational Speaker: Fiction by Mark Robinson
How I Lived with Myself without Going into Remission: Fiction by George Sparling


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Let's Make It New


Janan Leikazu

there's a number of things i think of when creating these pieces, i'll try and explain some of that. a letter - letters generalized – can come down to a "natural" shape (a grapefruit, a waffle, a face, a road (something "seen")) or a shape abstracted (a square (the shape of many canvasses, the shape of waffle -grids-), a line ("thread shape")); then there are endless gradations between - the pieces explore this; a thought that crosses my mind is the syncretic aspect of English lettering, our roman script's evolvedplace on this continuum (b an abstract of the "natural" shape beth/house).

there is also a found aspect (such as in pinktintmummemmory), which is a sort of found-concrete-poetry - words and images in a context that might seem "unpoetic".

other thoughts:

these are some thoughts; i've created them from the standpoint of a concrete/visual poem, the linguistic in the picture (naturalfound ----- abstract), but this doesn't necessarily make them successes in that respect.

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