Unlikely 2.0


   It is a mistake to think that we live ultra-specialized lives and somehow add another ingredient called "community" on top of it all. What is there really to share? Not much that matters, to the extent that we are independent of neighbors and dependent on faceless institutions and distant strangers. Real communities are interdependent. —Charles Eisenstein


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Catfish McDaris interviews Charles Plymell
Three Poems by Lyn Lifshin
Three Poems by Justin Hyde
Three Poems by Omar Azam
Three Poems by Jason Neese
Two Poems by Michael Brandonisio
Two Poems by Constance Stadler
Two Poems by John Grey
Two Poems by Linda Rosenkrans
Two Poems by Heather Brager
Three Short Stories by Rich Ives
Photo Op: Fiction by Michael Andreoni
Camera: Fiction by Melanie Browne
an excerpt from Ka: Fiction by Stephen MacLeod
Scheherazade: Fiction by John Kuligowski
The Slacker Mentality: A Sardine on Vacation, Episode Sixty-Two
Tantra Bensko's Opposites Day takes on sunscreen
Ronald West on the oxymoron of 'Native Studies' programs
Nicholas C. Arguimbau on the failure of Copenhagen
P. F. Henshaw says we don't need Copenhagen, anyway
Jim Chaffee analyzes militarism as "conservatism"
Three Songs by Bill DeYoung
Voices from the Palace of Illusions: A Short Movie by Grace Andreacchi
The Freedom Charter Blues: Aryan Kaganof reads his Poem
The League of Non-Voters continues in A Sardine on Vacation
Two New Translations of Pablo Neruda by Sigerson
Gabriel Ricard reviews The Book of Hopes and Dreams and interviews the editor
Five Altered Photographs by Anna Maly
Two Collages in Six Images by Adrian Kenyon


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Let's Make It New

C. Derick Varn: Art Director

C. Derick VarnDerick Varn was born in Augusta, Georgia. He has visited and or/lived in most of the American East Coast, but always, strangely, returns to Georgia. He was prepped to go to art school during high school because he could paint and draw. After doing ‘zine art for four years and feeling like his taste in art outstripped his talents, Derick decided to study anthropology. Within a year Derick decided that being an anthropological journalist was his first bad idea, so he studied dead artists, writers, and philosophers instead. He did not abandon art, however, doing both oil painting and body art as a passion (read: hobby) outside of his education. He also pushed into interdisciplinary movements in the poetic and book arts. Derick Varn has a Master of Fine Arts in Poetry at Georgia College and State University where he served as assistant editor for Arts and Letters: A Journal of Contemporary Arts.  Derick served as managing editor for the now-defunct Milkwood Review, wrote music reviews for the now-defunct Crass Menagerie music e-zine, and edited and did cover art for the defunct ‘zines K.O.T.S.U., Y, and Chaos Theory. Other things you can pretend to care about:  He won the Frankeye Davis Mayes/Academy of American Poets Prize in 2003. He is one of the featured literary artists in In Our Own Words: A Generation Defining Itself, Volume 3, and has recently published poems in Backwards City Review and Toronto Quarterly.

Derick sincerely believes that everyone needs to dance around their house naked at least once a week. Being declared an ethicist has made him a general misanthrope; most good ethicists are. He loves tomatoes and thinks that loving such fruit is profound. He does not like to speak in third-person because he understands that it is a sign of insanity, but so is art and literature. He has vowed no longer to be witty in biographies that are included in literary journals of any medium. He currently lives in Macon, Georgia, with his wife and several cats.  During the day he works as a secondary school teacher. At night he writes and paints.

All submissions of visual art and movies should be sent to Derick at Derick AT unlikelystories DOT org.