Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Anne Elezabeth Pluto

Benign Protection

For Paula

In the late spring—June—before summer
descends—haze and mirage my father's
death left a hole in the pattern
I reached forward to make
meaning and we met at your office
Columbus Circle—the green park beckoning
tourists, natives, and thieves—we walked
to the restaurant—whose name
I can't recall—a diner—on 57th Street in the cool
dark booth the red leather banquettes
menus sized like the Times
we have a glass
of wine—white and crisp—order food
that quickly comes and my missing father
enlightened by death wore the 20th Century
like a map I am tracing the route in our
conversation you lost your father at 14—in the summer
before 10th grade—we four met once in the cold moon
starry winter on the corner
of Marlborough and Church
in front of the Temple Beth Emeth us, girls
in our maxi coats—yours forest green and belted
mine black, as every coat I ever bought—our fathers
standing in benign protection—on the verge—
in my reckoning the ghosts of childhood
remain incredulous and strong silent
and long-suffering beautiful
and terrible as memory herself.




The Deepest Part of Dark

For CR

My first love came
last night in the deepest
part of dark to welcome
me—and spoke of visits
yet to make, Capri
Sardinia and Calabria
the naval view
behind his tour of duty
now we talked
of time abridged
the decades
flipping fast from
where he first set sail
I stood lost
without redemption
with no amends
my first love came
once to whisper
goodbye
his death called me
to put a hold on time.
We never came
back, tonight the visit
lost, no bitter photo
left to share, together
Capri, Sardinia, Calabria
we never made it there.



Anne Elezabeth Pluto is Professor of Literature and Theatre at Lesley University in Cambridge, Massachusetts where she is the artistic director of the Oxford Street Players. She was a member of the Boston small press scene in the late 1980s and started Commonthought Magazine at Lesley 24 years ago. Her chapbook, The Frog Princess, was published by White Pine Press. She has been a participant at the Bread Loaf Writers' Conference in 2005 and 2006. Her ebook, Lubbok Electric, was published by Argotist ebooks in 2012.



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