Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by mark hartenbach

hot house

like wittenstein in his shack—, i'm enlightened in janitorial
splendor. i'm meditating atop a toolbox—the closest i'll ever
get to mountaintop satori. the nearest i'll come to the transcendental
pipeline. this praying mantic pose comes naturally. forget
about full lotus, full nelson or foolproof. i can't swing a
monkey wrench without hitting some symbol of fulfillment.
that's why my apologies are written out beforehand. i'm
coughing up vows & other worthless artifacts, quasi-spiritual
slugs with no ring whatsoever. how many cracked ribs are
necessary until we're validated or at least hammered to the
surface? think fast on your feet or you might become a
permanent fixture in fellini land. allow yourself a weakness
or two, or you'll wind up constantly compromising your
ideals. there's a fine line between being generous & being
self-possessed, between transformed & transfixed. be careful
what you wipe your hands on & what you wish for—it's all
the same cosmic grease spot. it's a sure thing obscured by
the balance of nature. take those untranslatable ashes & rub
them in good, then talk to me about burning words or perfect
form. take those tinhorn upanishads & see what they'll fetch
on the open market. see how quickly you get laughed out of
town. take those apocryphal fragments & tax-exempt mutterings
then stereotype me a bestseller. take those offhand gestures &
paint your own glittering future. i'm tired of being understood.




roaming skeletal remains of rust belt ghost town

unfasten bones with a deliberate twist
with a swiftness i didn't think possible

shifting from left leg to right
to ease the pain of standing my ground

until glory be healing hand sends hallelujahs
shivering down my spine miraculously realigned

years lost in daze of special effects
emanating from saints be with us

blocks from where i'm tapping out missives
to possibly religious partners in crime

holed up in the only building downtown not crumbling
sandblasted clean on a consistent basis

even large stoned city hall seems to be leaning
toward a resolution that doesn't include us

a megaphone blocks away cries out to come
announcing who they're stringing up today

from ancient exposed plumbing badly duct-taped
insulation that runs through entire building

though i've done nothing to warrant punishment
i stiffen up each time i hear sirens



mark hartenach lives along the ohio river in hardcore appalachia.



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