Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by Howie Good

Wedding Bell Blues

I was invited to a wedding in an abandoned storefront. A serial killer with a pleasant demeanor checked invitations at the door. "Keep moving, keep moving," the cops ordered the gawkers clogging the sidewalk. The elderly bride wore long sleeves to hide her tattoos of sunning mermaids and leaping dolphins. Still, some of the guests couldn't sleep that night for fear of drowning. Others felt more surprise than fear, like slicing your finger on a piece of broken glass. You just hold your hand above heart-level until the bleeding stops.




Smile Empty Soul

Overhead a small plane towed a banner that said, SMILE EMPTY SOUL ALBUM IN STORES NOW! The prettiest of the Belgian exchange students looked at me with big, empty eyes, as though she wanted to ask, "How can a mosquito fly in the rain?" but couldn't. And then the scene was like a detail from an Old Master's painting, torn and folded back and secured with a paper clip, and she was bombarded by owls and bats. I wondered what my face showed.



Howie Good's latest book of poetry collection is The Complete Absence of Twilight (MadHat Press, 2014). He co-edits White Knuckle Press with Dale Wisely, who does most of the real work.



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