Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz

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Two Poems by Mark Young

for/from Martin Edmond

clownly loot the humbug eminence outside the word but they have no fixed club or reveille to sweeten the plaid, the renaissance of angelic infighting. Worship viscosity, she weakly stimulating the leaking eidolon. Against protestation, many sinuous lazarettos of a physician's cellulose metamorphose into a contrary basalt, a syntax. How employees sprung spinal revenue bulging from cenotaphs within the Babylonian plague 37 yelps behind. The visual gentlewoman will be maltreating the proton, syntactic, that cedes humorous planetary centipedes to fustigate. An ascendant Moloch, a morsel, pricked enamel to mimic the ceramic gabled proverbs. Some inimical vitriols are musical vertices of the ornamental ingenuous fountains. The mistrusted vocabularies were varnished when the injured fractions printed repulsion without the hostility. OPW might financially be consecrated by angular bipartisan mechanics. It could even leap to a nice hungry spectacle. These fibrous nonprojectors could gobble on to fortify the niggling speculation. They hold the carpenter to prickle it into believing it is an exaggerated evil for the fiscal term.


Maybe their idea of
working out is an
animated manga. Or
maybe their inter-

pretation of the
circumnavigator's paradox
is that polystyrene
nanoparticles inhabit

the estate of Elvis
Presley. No matter. The
purpose is not to pile
proof upon proof—

modern research has in
fact now documented
through a safety
analysis of the Ulchin

Nuclear Power Plant
(which includes diagrams
on how to fold an
origami turtle) that

the passion of all young
people for pastoral poetry
survives even when
confronted by a tsunami.

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