Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Three Poems by Ally Malinenko

The Doctor

He rolls my sleeve up,
his face dour and downcast.

He tells me all about his money problems.
How patients never pay on time
and how he's always behind the bills

The worst thing I did, he tells me, is start my own practice.

He runs his hand through his hair
and then uses them to pull my shirt away
and slide the stethoscope across my chest.

He asks me what I do for a living
and I tell him.
He nods. That's good, he says.
You'll always have a job.

Which makes me laugh.

At least you aren't a doctor, he tells me.
Big mistake.

He puts the needle in my arm
and I watch my blood fill the vial
slowly at first,
cautious,
and then gushing
so fast I think it will go everywhere,
fill this room, drown us both.

At the end of the appointment,
he puts out his hand and I take it.
He pulls me toward him, hugs me.
He holds on tight and says,
Take care of yourself. Please.




Marble Soul

When I flip through the pages of the past,
it goes like this:
yesterday, with open windows
first neat and cut
laid out side by side
and then sloppy as I go back farther, towards childhood.
I remember the red door, the smell of the dog's food.
I remember the bookshelf low to the ground
page after page after page
and the murmuring groan of feet on hardwood,
rocking rocking chair
women cackles and coughing.
It goes on like this,
from the things I remember
to the parts I make up,
fill in like so much putty,
weave into ropes to
tamp down the tents.

Why not?

Tomorrow is just more flowers, bodily pink and spiked green.
It is only more kneeling at gravesites,
more ashes to scatter.
We will take off and put back on
the funeral clothes.
We will set and clear the table
as we have for generations.
All the births
except your own
are behind us now,
a soul like a marble,
round and glistening in your pocket.

You squeeze it tight, the way I used to.
You check your pockets,
padding down.
Frantic.
Is it still there?
Is it still there?
Well, is it?




The Exodus

I could have been the child who died there.
I think of this sometimes,
now that I am older and
try to keep a steely grip on this life.
We both could have,
laying at the bottom of the waterfall,
bloody,
floating,
spent,
like death thirsty lovers.

My parents would have buried their youngest,
not even out of high school.
My name would have been listed among
the others in the school year book who were dead by

Car accidents, disease, unknown sickness
and then me, bloody and crushed laying in the woods.

My mother would have tended to my grave,
My father would not come.
She would push her fingers through the dirt,
leaving dimples behind.
Flowers would bloom and die,
petals dropping.

Everything would chug forward,
one day, like a smoke filled train,
upon which I was not a passenger

and I would wait at the bottom,
in the sleek pool,
listening and waiting
for the ambulance that wasn't coming,
to the fading laughter and screams of the
mass exodus.
To the priest who would come to save
and then, in saving, damn and curse this place,
and leave my ghost behind in that glassy dirty water.


Ally MalinenkoAlly Malinenko has been fortunate to have poems and stories published online and in print. Her second book of poems, Crashing to Earth, is fothcoming from Tainted Coffee Press. She currently lives in the part of Brooklyn that the tour buses don't come to.



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