Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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Two Poems by M.P. Powers

Stalwarts

In forty years, the babies I see in strollers
       in Berlin will me my age, and I'll be eighty,
or dead. The memory of me in this city,
       gone. New tragedies will abound, and some other damnfool
traveler like me will stroll under all these

grand monuments, feeling a little bit ennobled, longing
       a bit for death. Thinking about God and signs
and non-existent things, he will gaze up at the
       statues with a reverence. Regard
their frozen music; and remember those
       brave old Teutonic lions: Beethoven, Schopenhauer,

Nietzsche. The source of his pride and lack thereof.
       Forty years or five minutes
from now hardly matters. Time collapses. My replacement
       too will eventually be erased, and another generation
of mothers and babies will take
the streets. Death and its traveling
       companion Life,
never knowing when to quit.




Strange Equation

In trying to figure out the ghost I see in the mirror everyday,
       I look to Angeline Simons, an Iroquois Indian who supposedly
haunts my family tree. I look to my Norwegian forebearers.
       I look to Louis Ormson, a drunken cheesemaker & womanizer
who flipped his Model T into a river bottom and "fought
       so savagely" with police when they told him his passenger
was killed, he was arrested for fighting (no such thing as DUI
       in 1914, or sense, apparently). Or maybe it's my uncle Maurice,
a plumber from Waukeegan who hung himself with a piano
       string. Or John Keegan, a happy-go-lucky Irishman, trampled
to death by runaway horses. In trying to figure out this strange
       equation I keep running into, which I have to believe
is me, I think about my greatgrandpa Rudy Knapp. 300 lb. butcher
       who fled Germany with his wife after "slipping on a banana
peal" (or some such), and impregnating the maid. I think
       about my grandpa Powers, whose rule was he only drank

when he was with someone or alone. Or my grandpa Wheeler,
       musician, father of three, married perhaps the most
beautiful woman in Wisconsin. Items found in his trailer post-
       mortem: fertilizer, handguns, bagpipes, ivory canes with knives
that pop out of them, everything QVC ever sold (or couldn't
       sell, let alone give away). Also, a sex tape for beginners.
He was 84. In trying to figure out myself, I look to myself, mostly,
       and my parents, naturally. Two people who had no idea
what they were about when they went about the business
       of creating me. I contemplate (carefully and considerably)
       my mom,
lover of "languidg," ex-Spanish/English teacher who could spell
       just about every word in the dictionary (I can't spell)

and never cared much for my writing. I think about my father.
       I probably think about him the most, because he was
of such a different species than me. Perhaps the most even-
       tempered person I've ever known, he didn't drink much,
wasn't interested in philosophy or poetry. He was interested
       in politics, rum cake, chocolate, and the bottom-line: money,
gambling. And his favorite thing was gambling. We were the
       same in that way. The way he'd walk into a casino was how
I'd walk into a poem, wholly grandiose. Full of hope, quite
       certain earth was going to shake, walls would come down,
and salvation was only a little ways away. Of course, none
       of that ever happened, or ever would, but we both at least
believed in it; a beautiful lark up in the clear sky. Just a little
       flash of something imaginary, that never was going to die.



M.P. Powers lives in Berlin, Germany. His poems have been published in The New York Quarterly, Rosebud, Existere, Main Street Rag, Third Wednesday, A Cappella Zoo and many other fine places.