Unlikely 2.0


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Editors' Notes

Maria Damon and Michelle Greenblatt
Jim Leftwich and Michelle Greenblatt
Sheila E. Murphy and Michelle Greenblatt

A Visual Conversation on Michelle Greenblatt's ASHES AND SEEDS with Stephen Harrison, Monika Mori | MOO, Jonathan Penton and Michelle Greenblatt

Letters for Michelle: with work by Jukka-Pekka Kervinen, Jeffrey Side, Larry Goodell, mark hartenbach, Charles J. Butler, Alexandria Bryan and Brian Kovich

Visual Poetry by Reed Altemus
Poetry by Glen Armstrong
Poetry by Lana Bella
A Eulogic Poem by John M. Bennett
Elegic Poetry by John M. Bennett
Poetry by Wendy Taylor Carlisle
A Eulogy by Vincent A. Cellucci
Poetry by Vincent A. Cellucci
Poetry by Joel Chace
A Spoken Word Poem and Visual Art by K.R. Copeland
A Eulogy by Alan Fyfe
Poetry by Win Harms
Poetry by Carolyn Hembree
Poetry by Cindy Hochman
A Eulogy by Steffen Horstmann
A Eulogic Poem by Dylan Krieger
An Elegic Poem by Dylan Krieger
Visual Art by Donna Kuhn
Poetry by Louise Landes Levi
Poetry by Jim Lineberger
Poetry by Dennis Mahagin
Poetry by Peter Marra
A Eulogy by Frankie Metro
A Song by Alexis Moon and Jonathan Penton
Poetry by Jay Passer
A Eulogy by Jonathan Penton
Visual Poetry by Anne Elezabeth Pluto and Bryson Dean-Gauthier
Visual Art by Marthe Reed
A Eulogy by Gabriel Ricard
Poetry by Alison Ross
A Short Movie by Bernd Sauermann
Poetry by Christopher Shipman
A Spoken Word Poem by Larissa Shmailo
A Eulogic Poem by Jay Sizemore
Elegic Poetry by Jay Sizemore
Poetry by Felino A. Soriano
Visual Art by Jamie Stoneman
Poetry by Ray Succre
Poetry by Yuriy Tarnawsky
A Song by Marc Vincenz


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What's the Harm in Hunting?
Part 2

Participation made moral sense to me. When we don't take part in the lives (and deaths) of the animals we eat, when we pass responsibility from consumer to farmer to CEO to stockholder, animals are disrespected, as evidenced by the horrific conditions in concentrated animal feeding operations. Some choose to absolve themselves of the responsibility by becoming a vegetarian or vegan. But short of living in the woods and foraging for edibles—a lifestyle that most climates would not support—they too must claim some complicity in the deaths of animals.

I had come to understand how I could feel compassion and still be okay with killing for food. I was participating in the process of life and death—a process that would happen whether I liked it or not.

Hunting is brutal, but so are the indirect environmental effects of building cities of skyscrapers, mining rare earth metals for electronics, and building wind turbines. We are killing animals either way—hunting is just more direct. Ken would say, more honest.

Ken and Rone recognize that to live on this earth requires causing harm, and participating through hunting creates a deep connection to nature that is very fulfilling. But it's about more than human feelings; it's about preserving a natural way of life, for us and for the animals we hunt. Hunting leaves them in their natural homes. Sustainably harvesting wildlands for meat, mushrooms, and other living things fosters a beneficial and respectful relationship with the ecosystems we are harvesting. Gathering all the food sources we can naturally allows us, to some degree, to plow down less habitat for agriculture. Hunting goes a long way toward protecting and improving animal life.

The next time Scout points, my dad is able to flush out a bird. Rone shoots and misses. The next one Rone shoots falls. Cork brings it back.

Later, Rone shoots another but the bird doesn't drop—it flies off and lands on a nearby knoll. Cork finds it and brings it back, chomping just a little until the bird lies still. This isn't killing out of compassion, Ken explains. The birds have a defense mechanism—they have sharp claws, and release poofs of feathers when they're caught.

Ken shoots one bird at close enough range that the expanding shot could have pulverized the bird, making it inedible—a wasted death. But when Scout brings it back, only the head is bloody. "Oh good," Ken says, "That's what I was going for." Twenty years of hunting make it look easy, even though he says it's not.

I wonder aloud whether a new hunter, maybe me someday, would spend all her time wounding and pulverizing, causing suffering and wasting birds' lives. Ken has me point at the top of a telephone poll in the distance. Since my right eye is dominant, Ken says, "Now close your left eye." My finger is right on top of the pole. "You see, aim comes naturally," he says. I'm a natural killer. Rone shows me how he holds his gun at the ready, with his index finger pointed down the side of the barrel. Point and shoot. We're all killers.

By the end of the day, Ken and Scout have killed four quail, and Rone and Cork have killed six quail and two pheasant.

A couple weeks later, I had dinner at the Reids' to make sure it was for a good cause.

Ken's wife, Rebecca, cooked us a beautiful meal with as much local food as possible: fried razor clams they dug themselves, homegrown, homemade grape juice sweetened with the honey from their own bees, and of course quail and pheasant, cooked in a tomato-based sauce and served on risotto. The wild bird tasted like they had had rich lives, and a homeland full of Russian Olive.

I haven't killed yet, but I will. I want to participate, because even the little I have done thus far has given me a much greater respect for life. The experience connected me to nature in a way hiking and camping never did. I understand why Ken feels accountable for owning a house on land that used to be woods, or why he gets so angry about developments lying on top of what used to be prime Seattle farmland.

No one is suggesting that we get all our food from hunting and foraging—there are too many of us now—but we need to gather all the food sources we can naturally to reduce our need for agriculture.

We can protect the land by using it. We can ensure that life is respected by participating in the dirty work. Rather than hiding in our cities and vilifying those who intrude on "pristine" wildlands, we should bravely accept our place as a predator, a natural participant in the cycle of life and death.

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